Jambalaya [yearbook] 1976

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GORDON DARRELL SOKOLOFF
Editor-in-Chief
NATE LEE
STAN MULVIHILL
Associate Editors
TANYA HUERTA
Administrative Assistant
WENDI SCHNEIDER
Art Director
LEELEVINE
Copy Editor
SAM SILVERSTEIN
Layout Editor
MARKSINDLER
ROB SHOSS
ANDY BOYD
ARMISTICE R. LUNCHMEAT
ROB SHARPSTEIN
Photography Staff
HOWARD BROMLEY
TOM LEE
DAVID GRIMALDI
FRANCISCO ALECHA
STEVE HORTON
JOHN READY
DUDLEY SHARP
STACY MORRIS
A. SOKOLOFF
Contributing Photographers
DR.ANDYANTIPPAS
Faculty Advisor
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1
To my mind, a yearo
to stand as testimony t(
what we make of our li
soon enough. More prq
an effort to bind down tii
us over the course of foi
years we shall ever kno\
have Iciid down is only
the myriad thouscinds
and passed irretrievably
of our words and some
help to remind you of thi
lost, we must moum for tl^
3k is not necessarily meant
our educational e}q)erience:
es will bear witness to that
>rly, I think, a yearbook is
> images that dcinced before
of the longest, yet shortest
Each word and picture we
ne word and one picture of
ich have already eluded us
ito the void Perhaps some
»f our pictures, though, will
js found — as for the things
>se forever.
Gordon D. Sokoloff
Editor
Joseph, my friend, had the virtue of relating anything to a personal experi-ence:
"Student life? Yeah, some of my better days, you might say. Work always
seemed to melt into play. Learning and having fiin at the same time. Nice ar-rangement,
huh? The best thing about college, though, is not the experience it-self,
but remembering the experience. Me? Always at the parties . . . drinking,
talkin', seducin', bullshittin' till five or so. Seems like the memory of all that beats
the real thing. I don't remember all the times I got sickly drunk ... or got arrested
... or almost foiled some of my classes — at least I try not to remember those
times — Even the times that weren't so great . . . now they seem alright. It's better
that way, you know. The older you get, thfe more fun you have just remembering.
Yeah . . . some of my better days.
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12
13
MAR RAS
bySTANMULVIHILL
UphiU.
DownhilL
No hill at ail.
New Orleans Jives on an even plateau. People move
over the flatness in daily routine while gentle highs are
mellowed by gentle lows. It is an anti-inventive city, even
with its own traditions. Mild complacency reigns.
Then Rex appears and the season belongs to car-nivorous
appetites. Unleased fury breaks upon the cres-cent,
upsets life's careful balance, and removes the
frustrations impounded over a year's time.
A Tulane student checks his calendar for holidays,
and finds Mardi Gras conspicuously placed in the middle
of his semester. There is little disagreement over what to
do — only the question — will it be done?
14
Curving with the River, the better parades flow
along St. Charles Avenue, rolling to their downtown
destination. As each float passes, new discoveries reward
those who indulge in trinket activity. It is not enough to-observe;
participation is the necessity.
The crowds who line the street several rows deep
gesture the parade onward, like so many jockeys whip-ping
their thoroughbreds to the finish. The parade
gathers intensity. Heightened senses and blurred vision
... a nauseated stomach and a mind that does not care
. . . parched mouths and a half-full wineskin that leaks
over the back ... a torn pants leg and bulging pockets of
doubloons . . . smells of drunkeness and the relief of a
urinal . . . perspiration infects the faces of nameless in-dividuals
as the madness mounts. The convoy approach-es
its mark and just past the twist of a street comer,
Canal Street is sighted. Cheers rise as the rabble scram-ble
to take their positions atop light posts, barricades,
and boyfriends. The wealthy remove their gloves and dip
over the balconies adorned with wreaths tinted purple
and gold. They are excited as only curistocrats can be.
16
All the while, Bourbon Street massages the rowdy
with her massive ripoffe as barkers announce prices that
have tripled since last Monday. Chris Owens is as over-worked
as the N.O.P.D. and Papa Joe's has a block long
line of revelers anticipating the purchase of another
fifth. The Lucky Dog Man is doing a brisk business and
decides that life without mustard would not be worth
living. Pat O'Brien's queue draws the attention of eight
mounted policemen. An apartment house courtyard
party further down the street rages until the ice runs out,
and guests manage to drift off, in search of a daiquiri.
There is laughter and astonishment with all fields
of sensation. Strutting by one of the Quarter's back
streets, a group spills its noise over from Bourbon.
Throwing a defiant scream in the direction of an aged
apartment that is mysteriously boarded up with shutters,
the structure laughs back. A hardened city's mood has
seen it all before and is somehow unimpressed.
From Claiborne overpass, its roof dominates the city.
Yet once inside the city, crossing Canal Street to locate
the trolley, the Superdome glimpses at the crowds gath-
17
aNTHEFtAMESl
loF HEU FOR!
\etewiity^^
hERE BETtERl
fOUHlkOHEVER
. BEEN BORN.l
IREPEHT TOOWf.
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fir ^.
[don't 60" TO
[hell. jesus i
:hrist has a'
TETTER LIFE m YOU THIS W. HE DIED
HE J?".?
SINS.
££hlJ? HIM.
ered for Mardi Gras from behind closer skyscrapers. It
doesn't seem to fit and the Dome knows this as it squats
over New Orleans, the living symbol of ambitions mis-guided.
Huge ventilation systems wheeze from its lungs
the Superdome's polluted breath of scandal and politics.
A few blocks away, the bricks form Quarter buildings a
century old or more regenerate their mortar and con-tinue
to bond; they are indifferent to the Dome and re-main
ignorant of its aluminum and steel wonders of con-struction.
Cresting on Fat Tuesday, the fever breciks when the
grease paint and masks are removed. The masses be-come
individuals again, routines are resumed, and the
world sinks to its former flat plain.
FAISTAFF
Jfie 0\dieestJ^ro(inct^tk3rm-£rsy\n.
'Enjoyed JHrmqliout^Jtie World skice iS7o.
19
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[<»
THE
LOUISIANA
&
HERITAGE
FESTIVAL
But there are other hills in Spring.
When the weather turns noticeably warmer, when
insects take to the air, when live oaks drop their sap,
when moss turns a shade greener, the Louisiana Jazz
and Heritage Festival unfolds its tents, tunes its guitar
strings, and sets the water on the fire to boil.
The Creole tradition is reborn. The city scoops up its
newborn from a suckling routine, and embraces the in-fants
with realities that were always apparent but
missed in tranquil times. The Festival is a mother's
reminder, and a welcomed refresher.
Everyone, including the native of five generations,
is at once a tourist being reintroduced to home culture.
But the senses have been trained, enough to draw a true
sigh of appreciation from sucking the head of a crawfish.
It is a time when ties that unite people are shared anew.
Common denominators lose their mathematical mean-ings
and instead become foods, music, and arts.
22
23
Stepping onto the grassy infield of the Fairgrounds,
just past a gunbo tent. Earl King can be seen on Stage 2,
partially blocked from view by an impromptu art ex-hibition.
Thousands have turned out to soak up the sun,
but there is room for thousands more under an expansive
sky.
Everywhere people guzzle the last ounces from a can
of Schlitz. Some have brought their own refreshment, in
jugs they carry from tent to tent while inspecting the
pottery artists from around the country proudly display.
Feet are tapping with the music in the air as the SUNO
Jazz Ensemble works through a number composed
especially for the Festival. Magicians of culinary crea-tions
are stirring the air with odors of Creole cooking;
some festival goers simply sit in the shade with friends
and take it all in.
24
Occasionally, emancipated yells from the Gospel
Tent indicate a new group has arrived. The tent is the
fair's largest, with hundreds of wooden chairs bearing
the weight of two persons each. The Masonic Songs
launch into their repertoire of favorites and in two
minutes have the atmosphere's temperature ten degrees
higher. God's Chosen Few come to attention and grab
the crowd's spirit. There is celebration on this fine
Sunday afternoon.
While two Turkish gypsies occupy the attention of
passersby with their simultaneous trumpet-and-congo
curangements, a netu-by jewelry dealer finishes his latest
creation, a two hundred dollar silver and polished stone
necklace. This one has been shaped into a spider's web,
complete with a spider. Someone says that Frogman
Henry is getting ready to begin on Stage 4, and a few
admirers head off in that direction, while others rush to
get another helping of red beans and rice before the
show. Under the Jazz Tent the New Leviathan Oriental
Fox Trot Orchestra plays on.
SGARLiT
}
iORi
X,
XI
McCOY
TYNER
w
28
PEG LEG^.
SAM
29
i
As the sun makes its way across the simmering skies,
the "Fess" puts in an appearance on Stage 1. The crowd
is obviously tired from the day's activity, but excitement
begins to pump In time with the drummer's floor toms
and people rise to their feet. There is mild protest from
bodies that are sore from movement; it is suppressed
by the music directly ahead. Humidity takes on a vocal
quality, and sweat pours with the first sounds of singing.
Lightin' Hopkins played the same stage only two hours
before. Same results. Elsewhere Tulane's Dr. Bill Malone
and the Hill Country Ramblers are strumming through
their tunes. The notes from a straining banjo can be
heard from the direction of Stage 3 where the Copas
Brothers are said to be appearing. During the day, the
great Natchez vs. Delta Queen Steamboat Race has
ended, the Natchez again the victor. Hundreds have
watched from the Mississippi's banks.
The hills begin to sink with the Festival's closing
moments, the folks return to their lives, once again dis-tracted
by the routines of life on level ground. Satis-fection
lingers through another year, when traditions
will be repeated. And enjoyed.
30
31
NEW ORLEANS UPTOWN AREA
Because of its treatment of the New Orleans uptown
area, The Underground Guide to the College of Your
Choice is a book that should not be tossed aside lightly
— it should be thrown with force. Susan Berman's
popular handguide was written in 1971 and looks it. So
dated is the slang, so archaic the political attitudes, that
one can have a fairly good time laughing at it. Few stu-dents
actually relied upon it in choosing the college of
their choice, but Miss Herman's book remains of interest
because if for no other reason, it misjudges the relation
of the Tulanc student vis-a-vis the uptown community.
It envisions him (or her) as a force apart from the city,
fickle, patronizing bars and restaurants noted only for
their lack of longevity. In the words of Susan Herman:
"Hip hit The Raven' for beer and 'Eddie F*rice's' for ham-burgers
near campus. Straights hang at the 'Hob Nob
Inn' (beer) and the 'Maple Hill Restaurant' (big meals).
Of these four "local hangs" (as the book refers to
byLEELEVINE
them), only one, the last, exists today with the same
name. As for the rest, they have all changed shape in one
way or another. The Raven is long defunct; Eddie Price's
has become the Boot; and the Hob Nob Inn, Tin Lizzie's
— now out of operation because of last year's fire. This
one might conclude (inaccurately) that Tulanians fre-quent
only the so-called 'college joints' — the ones
which, for want of intrinsic merit, rely solely on gim-micks
and are segregated according to age and student
affiliation.
Happily, this is not the case. For all the narrowness
of life at college — and it is narrow, be it at Berkeley or
Southwestern — students from Tulane and Newcomb
comprise nonetheless an integral part of the uptown
community. They are a force to be reckoned with. So
strong, in fact, that popularity with the Tulane clientele
has capitulated to fame many an establishment created
without students in mind.
32
33
34
p
Icou
A case in point is Picou's bakery. Though not up-town
by location (Bayou Road off Esplanade), its clien-tele,
composed largely of the young, give it consideration
in this article. No one ever questions why, with the price
of gasoline and the proximity of doughnut shops close to
campus, students continue to make the twenty minute
drive. One Tulane senior, Andy Colando, used to go to
Picou's every night. Some go more often.
Yet tdl this is fairly recent. In business for neeurly thirty
years, Picou's first received the uptown crowd in any
appreciable degree through the most ameizing of coin-cidences.
If the following story sounds too good to be
true, it was confirmed, nonetheless, by John Trietler and
his wife, in-laws to the Picou fcunily, during a very plea-sant
tour of their bcikery. It concerns a Newcomb co-ed
named Gail who, four years ago, kept coming to the
bakery night after night. It seemed she had developed a
schoolgirl crush on Mr. Picou and, as he failed to notice
her, took to assuaging her frustration through food, an
tdl too common remedy. Much to her credit, however,
she liked the hot glazed doughnuts; found them a
refreshing change from beignets — and told her friends.
These, of course, were the magic words. One thing led to
another and, during the last four years, Picou's has
become the late night spot on everybody's agenda. It
shows no signs of stopping.
"Fd like to shcike the hand of the last person who
held us up" Mrs. Trietler confided; and should he ever
reappear, she'd have to greet him — like everyone else
— through the bakery's bullet-proof windows. Though
her comment sounds somewhat odd, it all makes sense
in the right context: for Picou's having been held up just
once too often, installed its famous windows in the sum-mer
of seventy-four. Far from cdienating customers, this
protection has assured their safety and, according to Mr.
Tietler, increased business to the nth degree. The shield
is impregnable; for he showed us a sample portion of
the window used for target practice. And, sure enough,
bullets from a 44 Magnum failed to penetrate at close
range. Their worries gone, the Trietlers can go on serving
good food forever.
Apropos of Picou's and all other such establish-ments,
there exists a durable nunor that public kitchens,
should they be seen, would scture off all but the heartiest
souls; that they lodge incredible filth; and that bakeries
are particularly notorious. If so, Picou's is the rule-proving
exception. "Spotless" is the only word to des-cribe
it; the floors, no doubt, are cleaner than those
found in many on-campus dorms. Thus when uptowners
head away from home base, they have a knack for
choosing the right places.
35
The Domilise Bar and Sandwich Shop resembles
Picou's only in that both are situated in poor neighbor-hoods
and have caught on. over a period of time, with
the more affluent uptown clientele. Tom Wolfe, exponent
of the New Journalism, has popularized the phrase
"nostalgia de la boue" (French for "nostalgia for the
mud" but more commonly known as a term for "slum-ming")
which he considers an explanation of this
phenomena — the college student who frequents a work-ing
class establishment. But are most people even aware
of such motivation? Probably not. So we'd prefer to
think that these places were really on to something and,
even if their informality was part of the initial attraction,
deserve their good reputations.
Domilise's has no atmosphere in the accepted
sense of the word — or, for that matter, in any other
sense. The tables and fixtures are old. So are the wall
hangings. So is the lighting. So is the juke box, rarely
played, and featuring such singers as Carol Channing.
But few of the Domilise patrons — students and faculty
alike — have any objections. Domilise's serves one thing
and one thing only — poor boys — well enough to be
attracting its second generation of uptown New
Orleanians.
Mrs. Domilise claims that she was surprised by the
influx of students to her restaurant during the fifties —
she, unlike Mrs. Trietler, had no romantic tale to explain
her sudden popularity. Because she originally intended
to serve the workers along the river front (Annunciation
being but a short distance from the warehouse district),
she has made no concessions in decor to her changing
clientele; no Art Nouveau posters or fake Tiffany lamps
clutter the walls. When hurricane Betsy hit New Orleans,
just eleven years ago, and wreaked havoc with Domi-lise's
as with everyone else (hurricanes being sadly in-discriminate
in their wake of damage), customers pro-tested
when Mrs. Domilise attempted to make repairs,
let cilone renovations. Her wry conclusion: They liked
the place the way it was before."
Of course they did. Though not boastful, Mrs. Domi-lise
contended that, edthough her restaurant lacks what
one commonly considers an uptown ambiance, it carries
something much more unattainable; something money
and fresh paint rarely buy. She spoke of the "pleasant
memories" she shares with the students, many of whom
come back to visit after graduation. "We treat them as
family." Though she and her workers rarely venture out-side
the counter area, particularly during the rush at
lunch, her point is still apt She, like the best of families,
offers loving neglect — of the sort which functions by
word of mouth and without advertising.
It is with the Camellia Grill, perhaps, that this article
properly begins, for, by location, it is as uptown as up-town
can be. The Grill caters to but is not dominated by
students like Picou's or Domilise's. After 10 PM. how-ever,
90/6 of its customers are under twenty-five. Those
older fecur for their safety — a sad reality in the uptown
area and one that did not exist in 1946 with the Grill's
opening.
These and all other relevant facts were supplied by
headwaiter Harry Teverlon; suffice it to say that he has
been with the Grill from the start. "Our clientele is the
greatest in the world" he admits; and he especially favors
the students, through whom he keeps his own youth.
"They're . . . genuine" he says, grasping for a term that
might likewise explain the Grill's vast appeal. For, in
spite of the fact that, during the last few years alone, Jim
Nabors, Pierre Salinger, Burt Reynolds and Dinah Shore
have visited the restaurant (a testament to its repu-tation
in that it does not advertise) and numerous local
millionaires have become regular customers (Harry
declined to mention names, but added, with a dry laugh,
that his were probably the only stools these men had
sat on since infancy), the Camellia Grill operates on a
first-come, first-serve basis — irksome, perhaps, to an
actual celebrity, but perfectly democratic to the rest of us.
As for the Tulane community, they started arriving
"the very first day we opened shop." Harry recalled his
encounters with the more affluent crowd who took all
their meals at the Grill — the ones given a meal stipend
of $10 a day which musfve gone far indeed at a time
when the Grill charged thirty cents for hamburgers and
twenty for pie. Doubtless, they could have eaten else-where,
yet something kept pulling them back.
Has the Grill continued to prosper because or in
spite of changing times? Ifs hard to tell, of course, and
Harry had no ready answer, but the fact remains that,
except for paint and minor repzirations, the building has
not altered noticeably over the years. This very per-manence
sets a standard by which can be judged the
world outside South Carrollton. During the sixties, a
surprise to the waiters was not the more casual attire of
youth — which was external — but the trend to casual-ness
in manners — which was not. One has to be of a
certain generation to comprehend the confusion of the
waiters when males, while at the Grill with a date, began
telling them their order first — and not that of the girl's.
Before they schooled themselves to expect this im-propriety,
the floor became littered with tom-up checks.
When asked if the Grill has suffered because of the
rise of fast-food industry, blessedly absent in 1946, Harry
answered with a smile; one that signalled, though by no
means unkindly, the idiocy of the question. This is a com-mon
illusion, he explained; for the chains, like the bullet-proof
windows at Picou's, have only helped business. The
implication was that these upstarts pcde by comparison,
and, since people continue to crowd the Grill's twenty-nine
stools, he may be right.
36
37
Halfway between the Grill and Tulane in location is
Bruno's — one of Maple Street's oldest bars and with a
history of which few people are aware. Its founding date,
1934, is significant; it marks the end of Prohibition in
New Orleans. Bruno's at any rate, unlike the other up-town
establishments thus reviewed, has changed loca-tion
several times before occupying its present site. It
moved from the area of the Lemon Tree to the Maple Hill
Restaurant, with the final switch in 1955. Since all three
face each other on the comer of Maple and Hillary, this
is simpler than it sounds.
It might astound the students population, who
rarely venture there before dark, to know that the bar
still services an aiftemoon crowd of businessmen. The
two groups — students and locals — are largely un-aware
of each other. This older set clings to bartender
George; he is to Bruno's what Harry is to the Grill: a
mainstay with an inexhaustible supply of reminisces.
Many of his more amusing tales must, perforce, remain
"off the record," but they attest to the solidarity of
Bruno's. This is the sort of bar which, during the owner's
lifetime, used to conduct its own Mardi Gras, complete
with Krewe (The Babbling Bastards of Bruno's"), and
parade through the streets of the uptown area.
With Leo Bruno's death, several years back, the bar
underwent some subtle changes. Beer began to be served
after 7 P.M. Which may seem like a minor point, but it
was a break with tradition, and it turned the bar from a
date spot to one in which singles (the term used loosely)
went to meet. As with the Grill, Bruno's changed also
because of pressures beyond their control. There was a
time, not so long ago, when unescorted females thought
twice about entering bars. Girls who did that had gener-ally
been stigmatized by a term that caused the New-comb
co-ed to shudder ... to her genteel way of thinking
it was the most distasteful of insults . . . cheap. However,
those days are long gone.
38
39
40
They never really existed at Eddie Price's. This
years' senior class will be the last to remember the Boot
when under former ownership, and perhaps it is just as
well. Michael Conner, bartender at the Boot, denies that
the predecessor was anything special: "It was sleeizier —
if you can imagine it." Sleaziness seems to have been the
most distinguishable characteristic of Eddie Price's,
which serviced the rougher element of the uptown crowd
and was itself allegedly the site of a shootout and mur-der.
Whatever the truth, few mourn its passing. Its
successor, however, caters almost entirely to students.
Three of them, when questioned separately, praised the
Boot for its ability to create a "relaxed atmosphere."
Conner spoke of it surpassing Bruno's because of its
"lack of structure." He replied, when asked to project
further: "You can walk in here and get stinking drunk
without feeling conspicuous."
The same feeling of hospitality extends to yet
another uptown establishment, perhaps the best of its
type in the city. Says its owner: "It gives me a pleasure to
see people relcix . . . Kids from other cities who come to
New Orleans feeling strange can stay here for hours
without being hassled . . . We're geared to what people
want, and we make everyone feel comfortable." Thus
spoke Rhoda Faust; her shop, the Maple Street Book
Store, is an anomaly in a review thus filled with bars
and restaurants. Perhaps her stock in trade is the only
one that can compete with the attractions of the latter
two.
Rather than laud the shop with a lot of glittering
generalities, it is fair, nevertheless, to say that a glance
at its shelves reveals some interesting aspects of the up-town
sophistication — if only because of what is miss-ing.
Those whose tastes run to pornography (hard-core
or soft). Harlequin romances, Jacqueline Susann, penny
dreadfuls, and the like will have to search elsewhere.
Few would deny the saleability of such writing — it
sells very well indeed — but Rhoda Faust will have none
of it. "It's sort of depressing to walk past the book sec-tion
of a drugstore and see so much crud." Her shop is
in all ways a delight, and proof against the old adage,
credited to P. T. Bamum and H. L Mencken alike, that
"No one ever went broke underestimating the taste of the
American people."
What meanings are we to take from all this? The
most prevalent is that popularity with the students can
boost a moderately thriving business, such as Picou's
or Domilise's, into the status of a near cult or shrine. It
is equally true that uptown patronage can blend together
varying types of age groups and classes — successfully,
as one might not think possible. Finally, the uptown
establishments prove that word of mouth is stronger
than advertising, and perhaps a better indicator of a
satisfied clientele.
41
AUDUBON PARK
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LINDA
by JIM COBB, JR.
I don't know exactly why I write this article. I don't
know that what I say will have meaning for anyone else
but me. But I do think that love — a man and a woman
in close and intimate communication with each other —
is a subject too infrequently talked about. It is the cause
of great joy and great pain. Yet we seem to shrink from
the idea of exposing our thoughts on the subject to
others — afraid that what we think might be considered
trite, or sentimental, or too hard, or too pessimistic, or
too something! Perhaps it is because love is an intensely
personal thing, usually restricted to two people at a time.
(I choose not to write on the many variations of that
"two people at a time" theme, making no value judg-ment
in that decision as to whether such variations are
good or bad). Perhaps it is because, sometimes, we be-come
too involved in the "game" aspects of love, and to
show how we really feel would be considered a sign of
weakness or some other comparable tault. More prob-ably,
we do not express ourselves on the subject be-cause
we just don't know how we feel. We're not "sure."
Perhaps that feeling of not knowing says something
about love itself.
College, we are told, is a time when one learns how
to think. If you are a liberal arts student, you learn the
process of critical evaluation from your exposure to the
many different disciplines. If you are in architecture, you
leam how to think creatively, but with a watchful and
learned eye to the practical and cost aspects of a par-ticulfur
project If you're in FHiblic Health and Tropical
Medicine then I have no idea as to either how or what
you think about, and as such can offer you in this article
very little. But the point here is that we are all involved
in learning — learning how either to think or to do some-thing
in a particular field. This is what we are here for,
this is what we pay our money for, this is our curriculum.
48
During the years we are learning to learn, we ex-perience
our most intense period of learning how to love
— learning how to communicate, honestly at times, with
another human being. Unfortunately, perhaps, there are
no requirements in learning love, no clearly set course
of experience or study upon the completion of which one
could be said to have "learned Love." One can't earn a
Bachelor of Love, although there are many bachelors,
to be sure, who have attempted to earn "a" love. Instead,
we are saddled with feelings — feelings of love, tempered
by a thought process that in some way seeks to define
how we should feel, and the kind of person to whom we
would, ideally, direct and express these feelings. You add
to these complexities that most volatile of ingredients,
emotion, and one can easily see how problematic love
can become. The emotion in holding one's heart in hand
and offering it to another. The joy in having it accepted
and returned. The emptiness of being separated from the
one you love. The pain and deep hurt when the one to
whom it was offered says, sometimes casually, "No
thanks." The misunderstanding that is always generated
when two people seek to communicate and communi-cate
intimately. The problem of coming to terms with
one's own sexuality and how that relates to the one we
love. (There are thousands of volumes on this aspect
alone). And on and on . .
.
There are no courses or degree in the area of love.
I'm not sure if anyone would be qualified to teach such a
course. Certainly not 1. 1 can say that thinking about love
is important, that experiencing it is even more so. But
like Joni, I've looked at love from both sides now — up
and down, give and take, win and lose — and still some-how,
"I really don't know, what love's about at all . .
."
Still, there are those bright and sunny days in the
Pcirk. Days free from problems, devoted to love in bloom.
Days when, without thinking, one's heart pounds with
excitement from being alive, from being together, from
being in love. These are the "learning" days of love, the
beautiful days, the ones we choose never to erase.
To Professor E.P.: Heartfelt Thanks
49
m
50
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. ''i;flw^»MSi(f*as/fi;
The first year in new surroundings is bound to be a
bit confusing, a chaos of unfemiiiar sights, sounds,
smells, tastes, people and events. Sensations bombard-ing
mind and body for 365 days . . . and nights. Pleasant.
Gratifying. Ecstatic. Tense. Embarrassing. Joyful. Ex-hausting.
Painful. Never, never dull. I know 1 am alive
and in a great place because the experience is so
intense.
And the people. Open. Warm. Supportive. Angry.
Earnest. Relaxed. Active. Interested. Olive and Blue.
All ages and persuasions linked together by the ex-perience
of Tulane. Us meaning may differ, but the
feeling is the same: belonging.
Images of Tulane days. Friends. Study. Games.
Sunbathing. Talk. Parties. Increasing awareness of the
world around us. Becoming. Exploring. Welded to this
place for life by sentiments.
The particulars of the year lie jumble in my mind.
The Superfest, a handmade minicamival that brightened
the day and compensated for a losing effort on the foot-ball
field at Homecoming. Getting "installed in office"
on the Newcomb steps on a warm and carefree October
afternoon. A football season characterized by close
games going the wrong way, but good parties. I would
be glad to make a swap there. Basketball succeeds, but
not as much as the team hoped. New faces and new
promise on the sports scene. Acrimony surrounds the
athletic budget as my powers of persuasion fail to con-vince
everyone that Tulane's destiny of academic dis-tinction
is best achieved in concert with a successful
intercollegiate athletic program. The ingredients are
present: academic excellence. New Orleans, and the
Superdome. The jug strike at the Superdome leads to an
evening of nostalgia in Tulane Stadium. Warm spirits
on a warm night. The pains of transition.
The Medical School grows by $50,000,000 worth
of bricks and mortar, carrying the University's future
with it. The Business School, with a new dean and a
new undergraduate degree program, begins a healthy
revival. Something new is being added to the Dean of
Students office, a woman as dean, to complement the
new structure of the students services organization.
Finding a new Provost and several deans. Progress. A
new administration begins to take shape.
The Woman's Film Festival a fantastic success,
flooding the campus with people from afar and two
52
-.j^.H^:
score provocative films. Direction '76 bigger and better
than ever. King Hussein's visit focuses our attention on
the conflict in the Middle East and on how much we
disagree about it, a model occasion of free inquiry and
dissent in the University.
Travelling to make contact with farflung alumni.
Carrying Tulane's colors to speaker's rostrums cill over
the city. Getting the University organized for the big
effort to come. Working with Administrators and student
leaders and enjoying it. Teaching again Good Students.
Many new friends, young and old. Medical School stud-dents,
on their own initiative, pledge gifts to annual
giving, a dramatic gesture and a vote of confidence in
the School. The senior class in A&S establishing an
award for teaching excellence, putting their money
where their values are.
The cumbersome academic decision-making
machinery creaks and groans as it is pushed and pulled
into motion. Undergraduate politics learned that you
can make the system respond from within — with
patience, persistence, and a willingness to compromise.
Medical School students bargain for a degree certificate
tailored to their desire for continuity with the School's
glorious past. The uptown calendar altered to make Yom
Kippur a University holiday and to include a study
period between the last day of classes and examinations.
Visitation rules change and the availability of co-residential
housing increases. The move to the Dome,
regarded with suspicion at best by students, was eased
by a University-financed bussing system. Most pleasing
of all was the emphasis placed by student leaders on the
need for academic excellence and to stimulate a more
intense intellectual life on campus. The cascade of films
and special events during the Spring term convinces me
that we have a good start on that problem.
A rich year. A good start. A great place. Having
gotten to know so many members of the Class of 1976,
I only regret that I did not join them sooner in their
academic careers, but we have a lifetime of association
ahead of us. I am happy.
SHELDON HACKNEY
PRESIDENT
53
54
55
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56
57
THE ROYAL UCHTENSTEIN
CIRCUS
'SHAKESPEARE
ON THE
QUAD'
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HUSSEIN'S
VISIT
66
67
RALPH NADER
PETER W. RODBMO JR
69
MARGARETMEAD
70
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JIMMY BUFFETT
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THE BOSTON
TEAPARTY
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CARLOS
MONTOYA
76
'MEET
THE
PROF
ANDYANTIPPAS
PAUL HOOPER
77
DICK CAVETT
"I remember when I had Salvidorc Dali
on the show. He walked on stage with an
ant-eater and threw it on the lap of one
of the guests without saying a word — I
guess that's the classy way of throwing an
ant-eater I read novels for the story,
watch movies to see how they come out,
and think that the deep mystics value of
sex is that it feels good We had all
the fun a fraternity has in getting nude
and drinking and throwing up all over
each other."
78
VINCENT PRICE
79
BLACKARTS FESTIVAL
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CAMPUS NUE
89
There is always something offhanded about the
way panelists walk onto a stage: some linger behind,
stunned at the inevitable confusion of who's sup-posed
to sit where; some casually scan the audience;
no one looks very concerned about the possibility of
saying something stupid in front of 1500 people. They
simply end up in their chairs, so easy is their walk to
them.
Bill Monroe booms out introductions of Nelson
Polsby, Julian Bond, and Eugene McCarthy. These
three in consort would not make up the quantity of his
voice the whole evening. Monroe's opening is straight,
even with a tinge of candid exasperation: "what are
we going to do with that office?" I knew that everyone
was primed: McCarthy with that studied offhanded-ness
about him, the perfect picture of the citizen poli-tician,
smacking of the earth of the populists, with
that Will Rogers' delight in presidential tomfoolery;
then Polsby, the pudgy academic with the face of a THE PRE
DIRECTION
boy and the body of a gourmand, pushing his glasses
back onto his nose with an impish finger; finally. Bond,
the archetypal southern black who looks and speaks
neither black nor southern, quiet, the picture of
Reason. Monroe's question elicited a litany of ills:
The imperious man in the Office and the imperial
Office itself, the weak people in Congress and the
weak Congress itself, weak partisans and a weak
party system. McCarthy carried on, usurping the plat-form
to talk about Presidents usurping power.
Polsby warmed up to a question about the
Imperial Presidency and to McCarthy's jocular prop-osition
that the Office requires rapture, revelation, an
anointing with oil before one can assume it. Upon
reading Richard Nixon's Six Crises, Polsby recalled
his distinct impression that Nixon's greatest chal-lenge
was simply getting through the day. McCarthy
remembered how Nixon began to use the royal "We"
and wondered who "we" was. Gerald Ford, he con-
90
JIDENCY
tinued, began as "my own man" moved on naturally to
"everybody's man," and, upon pardoning Nixon,
opted for "God's humble servant." "It seems to me
quite natural," McCarthy intoned with mock gravity,
"for a President to move into this broader range of
competence." Bond had noticed that the candidates
began to assume the pontifical robes with the first
primary. I began to think that everyone was talking
about Kings.
But there followed, after this jibing, some cura-tives
for the Kingly malaise of office. They were hardly
by
Gerald H.
Snare
original: look at the record of the candidate, tell
political parties to be reasonable and consistent and
conscionable, be interested, and on and on. Polsby,
rising to as great a height as an uncomfortably snug
chair would allow him, responded as from the Fort-ress
of Reason to McCarthy's cry about the want of
political passions in the electorate. Polsby preferred
sobriety to passion, and would guide the wavering
multitude with reasons. McCarthy ignored these high-minded
pronouncements to get in a few proposals.
He was, after all, running for President.
There was something ironic to me in the just of
this exchange, in the direction of thought: from
political evils to jokes to political gbods everybody
already knew about to a little politicking at the end.
92
Monroe would check the inevitable disposition of
McCarthy to stump a litde. Yet it was as if we should
see the old political philosophers end their talk of the
Good, the True, and the Beautiful with some back-room
bctnter about how to win a precinct in Pough-keepsie.
I could picture Thomas More snickering,
knowing that after someone finished his Utopia, he
ivould, for reliefs sake, turn on the television and,
maybe, eat a banana.
There could be no doubt about it — Their de-meanor
said too much about them. William Rusher
presented himself as that happiest of all people, a
poor man's Isaiah of Conservatism, John the Baptist
as piker, looking forward to a verbal martyrdom.
93
MEDIA: THE FOURTH ESTATE
surrounded (as he himself was to point out) by liberal
Pharisees. Nick Johnson was bespoke by being tele-vision
trim and handsome. I could imagine him only
at boardroom bars talking with leggy and tanned
blondes, taking intellectual positions with a kind of
Madison Avenue sprezzatura. Ben Bradlee was the
opposite. Beer was his drink. He was indeed what he
seemed, tough talking, whiskey-voiced, and hard-assed,
with the enormous charm of a man who speaks
in sentences with concrete verbs in them. Rusher was
the champion of the relative clause, Norman Cousins
of dogmatic rhetoric, Geraldo Rivera of dock-side
diction, Johnson of corporate elegance in spite of himself.
Rusher had all the questions written down, but
seemed to have a good deal of trouble getting them
out: What's the Media's biggest problem? Is it biased?
Is it too powerful? What's its next target? What should
it not report? I wasn't surprised at the direction of his
questions. I knew he had answers to them, answers
that would get lost in the verbal thickets between his
subject and predicate. The others were quicker. There
is something curious in answering (or even putting)
questions when you have to modify every idea and
explain every implication. Don't say anything you
can't modify out of existence: Rusher the Artful Dod-ger;
Bradlee, Johnson, Cousins, and Rivera shooting
liberal arrows made of straight sentences. Everybody
loved it. But the questions had been put.
The media men 'fessed up. Bradlee admitted that
:liP7
94
newsmen had not really changed, that they had not
been able or (maybe) willing to sort out the truth from
the lies. Johnson allowed for the charges of a com-mercialized
media and corporate censorship. And
Cousins, whose tendency was to universalize a limited
topic into a cosmic topic, chided the media for organi-zing
news and history as if they existed in 24-hour
segments, interspersing deodorant ads between
twenty-second stories of significant events. There was
litde wonder governments and their people were so
badly informed.
Rusher paused, with that kind of hauteur that
comes from knowing you're right and knowing as well
that no one knows the right better than you do,
licked his chops and asked whether the news was
biased. I groaned inwardly. Yeah, the media men
allowed, money makes for bad news. But Bradlee
reminded us that a supposed liberal press hounded a
liberal Lyndon Johnson out of office over Vietnam
as it did Conservative Richard Nixon over Watergate.
If anything, pressmen hate power abused, from the
left or right.
Rusher bit his pen and editorialized, "What's the
press' next target?" Everybody smirked. Bradlee
thought they should aim at the stockmarket, Cousins
at the rude mechanicals who subvert foreign govern-ments,
Johnson at the CIA. Rusher was, predictably,
sarcastic and bemused.
Geraldo Rivera arrived on stage late, having
witnessed a local rally of the Klan. Young thighs did
nothing if not flex. There he was, one of the 18-year-olds.
He really wasn't, but few in the young audience
would have him to be a real adult: jeans, open collar,
boots, long hair, mustache — a television bohemian,
a pubescent Walter Cronkite. Though he said things
95
that denied that, the image was too sweet to deny.
He talked about media responsibilities, one of
which was to expose the vicious racists he had just
come from interviewing. There was no little vin-dictiveness
in his impressions. He spoke in "the"
language: the Klan rally "blew my mind" and etc.
I cringed a little at the fantasy of a newsman with an
idee^ixeof the moment. Rivera returned to remark
on this continually, as if pre-possessed with a frightfi
vision. I could understand that.
The formal panel wore on only to be revivified b
a question from the audience: "Where were the con-servatives
during Watergate?" The aim was perfect
Rusher sputtered, spun out a hundred-word sentence
96
invoked his lawyer's instinct for impartiality, palpable
truth, and evidence. We'd all heard that before. The
audience murmured. Bradlee broke in, unable to stand
it, "Answer the question!" Rusher bumbled on, reach-ing
for clarity. He was had. They were uninterested,
uninformed, and didn't care," Bradlee roared. The
arrow struck center. There were cheers. Rusher was
not composed. There was something unfair about that.
But the irony was abundant: The Isaiah of Con-servatism
was caught in his own resplendent image.
In a curious way. Rusher liked it, enjoying the martyr's
delight in being martyred.
It was feiscinating. It was odd. But 1 got the sense
that we had come to see not an exchange of views,
but a morality play. There was James, and John, and
Andrew in modem dress, speaking the homilies of
newspaper and Television and magazine. The char-acters
were known and so was the denouement. But
the play was the thing — no anxieties here about who
is good and who is bad. The actors enjoyed the roles.
We all applauded.
One might have suspected that the third night of
DIRECTION would be odd. It was. Five satirists/
activists on one panel doesn't make for consistency.
You can't homogenize five independents. There was
one other irony as I thought about this group as they
adjusted their chairs on stage. Was this to be a Satur-day
night of jokes and jibes, or a discussion coherent
enough so I could write about it? The evening was, in
fact, for fun. It took about five minutes to establish
that, five minutes for one to realize that if someone
97
THE LOYAL
OPPOSITION:
SOCIAL SATIRE
IN AMERICA
tried to intellcctualizc (even rationedize) satire, the
satire might evaporate. At the very least, much of the
fun would be gone. Everyone seemd to sense that,
though I heard grumblings about some of the unkind
(inevitably unkind) comments coming fom the stage.
Russell Baker began as a sort of Friars Club
moderator, alternately insulting and praising his
companions for the evening: there was some acid in
the accolades. There were warnings about sticking to
the discussion. He brought along a baseball bat to
make the point. Baker's forte is to give the com-pliment
with the right hand and take it back with the
left: he deflated everything in this longish and rather-too-
cute monologue. He finally got to putting the
question. "Do any of you write for the sake of being
funny, or must you make funny social comments?"
The first answers showed the oddly associative think-ing
of these five. Dick Gregory recounted stories of
breaking into the "business," how his social com-mentary
was the thing that packed the night club. He
thought the satirist a socizd commentator. Art Buch-wald
said he preferred being a chameleon — "I mix
them up," mostly, he allowed, for the sake of fore-stalling
expectations. Robin Tyler, pert and cute
(though she would loathe those terms) showed a
cantankerous disputativeness: Baker was wrong to
talk about comedy past as comedy just for fun. Tyler
was to be the satiric social commentator for the rest
of the night. Her dialogue was distracted enough to
lose sight of the question. Baker fiddled with his
glasses and tried again: "H. L Mencken said that
anyone creative shouldn't abuse himself by becoming
political." Jimmy Breslin, looking every bit the arche-typal,
garrulous Irishman, agreed. Certain stories or
anecdotes are simply funny by nature. "I'd rather read
them than some about stzuving kids in Harlem."
Breslin gave a couple of those stories, leaning forward
in a chair too small for his bulk. The question seemed
to die. Baker picked up another one. Gregory ignored
it to upbraid Mencken with "We can't laugh problems
away." Gregory's satirist was the activist. Baker tries
a question about Republicans. Buchwald wants to
98
talk about humor as hostility: "Most people in this
business are hostile people. The more you Ccin turn
hostility into humor, the more money you can make."
He went back to a question about why he was a sati-rist.
Buchwald, predictably, said he started as a kid.
As this short history went on, replete with self-inflicted
jokes, 1 got the impression that Buchwald
wasn't really answering a question at tdl. Rather, he
was making fun of Baker's question — the futility of
asking a jokester why he jokes. In some way it struck
me that his line was brilliant. He was, in fact, demon-strating
the thing itself, not really talking about it. It
seemed to me that none of the others quite caught
this line of thought, except maybe Breslin. Tyler and
Gregory could not see beyond their comic diatribes
which so clearly showed a grim social messianism.
The contrast was palpable. Buchwald would impishly
smile. Tyler would get raunchy and strident. Gregory
would lean forward in his seat and remonstrate with
anyone who could accept the less bad of two bad
candidates: "What do you want me to decide? to vote
for the guy who's been a Klansman for two years
over the guy who's been one for five?" Breslin turns
him aside: "Well, vote for the one you know!" Gregory
laughs. But sides had been drawn. The activists got
upset. The satirists laughed and jibed at them for
being activists. The remarkable thing was to see
satire turned on the satirist. Breslin and Buchwald
enjoyed the turn. Tyler obviously did not. Gregory was
sensible enough to chuckle at his self-seriousness.
What was said didn't get at defining "The Loyal
Opposition" at all. But the give-and-take of the dis-cussion
did. The point was simple: You saw it and
heard it. The "Loyal Opposition" lashes the dogma-tists,
the self-important and the self-serious, the
powerful, the arrogant, and the foolish. If a satirist
himself were any of these, they would lash him too.
There they were. People in the news, people of
99
news passed: Jesse Jackson looking a trifle too "hip",
but with a voice that reminds you he is a preacher and
an advocate; William Colby, very smart in grey,
trimmed and neat, with rehearsed responses, looking
from clear-stemmed spectacles, at ease; Robert
McKay, the epitome of deanly elegance, demonstrable
rationality, and superb finger-nails; Alger Hiss, some-what
old and quiet with an after-the-war reflectiveness
about him. Buchwald stayed on to moderate in place
of Daniel Schorr, who couldn't come. Dan Schorr
became the hero of the evening, the Captain
Courageous of the free press, sacked for "leaiking"
(that detestable vulgarism) the House report of the
CIA to the ViUage Voice. Buchwald started with this
cause celebre, and asked Colby about it. I could smell
100
101
THE LAW:
THE INDIVIDUAL
AND THE STATE
the temperate answer before it came: "Schorr de-cided
according to what he saw as his duty as a news-man
according to the Constitution." A wonderful
example of beaucratic syntax — compound preposi-tions
until the sense fodes to obscurity. But it was
temperate. There were a few straight answers this
evening, but there was also the distinct calm that
comes from having to deal with vast generalizations.
The vast generalizations were about the press,
and I got the sense that I was hearing ancient argu-ments
clothed in the verbiage grown out of Watergate:
"National Security" and the media, unfriendly nations
in glee over public revelations of private matters,
"guidelines" for a responsible Fourth Estate.
Jackson spoke for the anti-establishment: "Un-clear
people can cloud up clear guidelines." We could
forgive the bad metaphor for what he had meant to
say. But the quandry remained. When should you shi
up? And when should a government shut you up? His
universalized the subject: "Without an enlightened,
interested, and believing public, the beaucracy will
not be responsive to the people." One could have
added, as Jackson was later to suggest, that without
an interested public, neither will the press. McKay
agreed that both should be scrutinized. I began to
wonder where the good guys were or who was lookin||
at whom. Buchwald bespoke a skepticism that
seemed like the only path through the calm fog of th(
discussion.
He turned abruptly, however, to law and the
"movements" — civil rights, anti-war and the rest.
Everyone hugged intellectually. Hiss, who gave me
102
the sense that he'd been through it all for more years
than I can count, offered, "The way to end bad laws is
to break them and then stand the consequences."
Colby agreed, precisely. And Jackson as one who had
thought the question out like an ancient Schoolman,
distinguished between the "universal chciracter of
law," laws made by a majority to apply to all, and
another unnamed kind, made by some group to apply
solely to a minority. You keep the first and break the
second. McKay took up the abstraction and spoke of
"The voice of Reason". Buchwald called us back from
the empyrean of high thought and suggested that the
threat of violence made that disembodied "Voice of
Reason" respond reasonably. Jackson demurred,
having seen, as he said, a few pistols elicit many
machine guns. He went on, in a Idnd of homilectic
peroration, to call for a "disarmament movement from
103
the mind and heart, not from the hip."
If the language had been better, one might think
he had been heciring a modem rendition of Aristotle's
Ethics or the dynamics of Plato's Dialogues. We
hadn't got closer to answers. But, then, in a dialogue
such as this, we didn't have a Socrates. And even if
we did, as Buchwald in his infinite good sense knew,
Socrates himself would only have smirked at our
presumption that dialogues which propose questions
should also have the decency to answer them.
104
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THE
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112
113
"Atliletics? Yeah ... you mean, sports. I was an athlete myself, once. Now,
just a sportsman. It was nice being an athlete . . . everybody watching you. Some-times,
it really didn't matter if you lost - as long as people were there to watch
you. That was nice . . . it's nicer being a sportsman, though ... not so grueling,
not so hard on the body. The sportsman's the guy up in the stands watching .
.
with two women and two jugs. Sportin' around, gamblin', playin' poker. Now
poker - that's a damn good sport. Talkin's another good one. Makin' women
laugh, that's my favorite sport. Me? Not much of an athlete, anymore .
. damn
good at sports, though.
117
by Val Perkins
1975-76 may perhaps be remembered as one of the
most important school years in the long history of
intercollegiate athletics at Tulane University.
A new (though not so sweet) home in the Dome
... a new president with some changing attitudes
towards the Green Wave's athletic enterprises ... a new
football coaching stciff ... a new basketball coaching
staff. . . and finally a new athletic director all of these
events and more in the one year alone.
And interestingly enough, the year began in relative
stability. Oh, there was some concern about the move
out of historic Tulane Stadium into the newly opened
and still troubled Louisiana Supcrdome, and of course
there was the problem of Title 9 and the effects it would
have on the school's programs, but at Tulane all seemed
well.
Football Coach Bennie Ellender was early into his
long contract (reported to be as long as a decade) and
despite a disappointing 5-6 season the year before was
still enjoying the glory of his 9-2 season in 1973 and that
memorable 14-0 victory over Louisiana State.
Elsewhere, Basketball Coach Charles Moir was
looking to improve on a fine 16-10 season with Phil
Hicks and a host of newcomers to be relied on, while Joe
Brockhoff (baseball), Dick Bower (swimming), and the
other Spring sports coaches looked to continue the
excellent low-budget programs which had'been built up
in their sports.
But almost from the opening moments of the ath-letic
season, trouble flared up and much of it would be a
result of the Wave's football move to the Sports Palace
on Poydras Street.
ONE YEAR FORATHLETICS
1975-1976
119
120
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After years of political and legal haggling, and at a
cost of some 163 million dollars, the Louisiana Super-dome
finally opened officially in August of 1975 to very
mixed reviews.
There was litde question concerning the beauty of
the edifice; the Dome is very spectacular indeed. Loom-ing
out over downtown New Orleans some 275 feet over
Poydras Street and covering 52 acres of land, the Super-dome
is a monument to the modem imaginations of its
creators, designers, and builders.
Inside the cavernous building, the Dome features
multi-colored seats, a lovely playing surface, four score-boards,
and the much bally-hooed Instant Replay TV
screens which hang from the roof.
No, the problems did not concern the building it-self,
but rather those who ran and operated the Dome,
and the hassles associated with the (some said) untime-ly,
poorly planned, and unproductive move of the Wave's
football program off the Willow Street site.
And there were innumerable problems.
Due to a foul-up at the Tulane ticket office caused
by that office's unfamiliarity with the Dome's seating
plans, a greater number of students ended up without
their correct seats down close to the action. Somehow i1
did not seem right that the students of the University
were forced to sit an eagle's flight away from the field
that their team was playing on.
There was also the immediate problem of getting all
the way from campus to the building. Buses were pro-vided
from Claiborne Street to the Superdome for the
students, but their departures and arrivals were ill timed
and it just didn't seem right to have to wait around for
hours after the ballgame before getting back uptown for
those after-game parties.
But if you didn't take the bus downtown, you had to
put up with the parking problems at the edifice, which
were compounded by the prices charged and the way
you were handled after you paid the king's ransom to get
into the lovely garages.
That problem of course boiled down to the biggest
headache at the Superdome, the incredibly incompetent
SSI, otherwise known as Superdome Services,
Incorporated.
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For though it was a nice gesture to put black
politico and Edwin Edwards protege Sherman Copelin
in charge of nearly all Dome services in payment for his
long support of the Louisiana Governor, it would have
been a little more efficient to have hired people who
had some idea of what it took to run a playground, much
less the world's third largest building.
Simply put: the employees didn't have any idea of
what they were doing or what they were supposed to do.
The parking lot attendants didn't know where to
have you park your car, the seating ushers didn't know
where you were supposed to sit, and the security people
didn't know what they were supposed to keep secure, if
anything.
Things were pretty chaotic, and no one seemed to
give a damn. In the course of the year, however, the
Dome management did indeed act often and effectively
to clean up the mess they had created.
It seemed that the reeil problem was not the Dome
or its people, but the fact that Tulanc "had" to move
down there.
To a student body accustomed to simply walking
across Willow Street on a beautiful New Orleans fall
night, and being able to watch a college football game in
one of the "grand old" stadiums of the sport, it was folly
to move into a modem arena far removed physically and
spiritually from the college campus, especially when the
student congregation had voted overwhelmingly against
the proposed move a year earlier.
The students were told that Tulane had to make the
move to the Big Dome: Tulane Stadium was falling down
almost miraculously as the Dome was building up; the
Dome had offered the Wave a good deal to make the
move; it would help recruiting for all sports a great deal;
etc. . . etc. . . etc. .
.
And most probably, the arguments were correct. It
would simply not do for the Green Wave to refuse to play
in one of the great wonders of the world, located only 20
minutes away. In terms of publicity, economics, recruit-ing,
and all the etc.'s, it would simply not be feasible.
And yet, it certainly did appear strange: sitting in a
giant artificial studio atmosphere when we all could have
been lounging on those hard-but-homey benches in that
beautiful Willow Street stadium, watching a football
game on a crisp fall night under a full moon.
Well, as they have always said, that's progress.
And of course, there was one more problem with
the Dome: somebody forgot to tell the football team that
it was their home park, and that they had an advantage
playing there.
For Bennie's Bunch, it was a hard life. The Green
Wave went 1-6 in the Worid's Eighth Wonder while win-ning
three of four on the road. Oh for the days of yore.
123
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126
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FOOTBAU
1975
1975 was to be a year of rejuvenation for Tulane
Football.
Following a near disastrous 5-6 mark in 1974 which
saw a hapless Wave team lose its final six contests.
Coach Bennie EUende and his staff were dedicated to
returning the club to glory as in the year of 1973 when
Tulane had celebrated a 9-2 regular season with its first
victory over the hated Bengals up the river in the past 25
years, as well as a visit to the prestigious Astro-Blue-bonnet
Bowl in Houston.
And Bennie certainly did appear to have the talent
necessary for the task.
Men like Mark Olivari, Jim Gueno, Jaime Garza,
and Brian Alexander led a list of 14 returning starters,
and the supposedly blue chip recruiting years of 1972
and 73 would bring a host of talented youngsters into the
Wave fold.
And thus, when camp opened up for the athletes on
August 21, a sense of anticipation pervaded the soon to
be abandoned Tulane Stadium.
Unfortunately, it did not take long for that feeling to
head to the lockeroom. By the end of what seemed like
an eternal football campaign, the entire football pro-gram
was in shambles.
Everything went wrong.
The downfall began quite suddenly, as both Olivari
and starting quarterback Terry Looney were injured in
the team's first hard scrimmage on August 30 as the
players worked out on a wet Tulane Stadium turf. Maybe
playing inside wasn't such a bad idea after all.
Though Olivcuri would return mid-way through the
campaign, Looney would be out for the duration; though
he gave 100% all season long, replacement Buddy Gil-bert
just couldn't get the job done.
Just as in 74, things got off on a suspicious right
foot in the 1975 season, as a touchdown underdog Wave
team came up with a super effort and upset Clemson
Tigers in South Carolina on September 13 by a 17-13
score.
The Wave scored all 17 of its points in the game's
second period, as comerback Wyatt Washington raced
76 yards with an intercepted pass for one touchdown,
Gary Rudick scored another on a three yard burst to cap
a 61 yard drive, and David Walters added both points
after, while also finding the distance on a 33 yard field
gotil. The defense forced eight turnovers, as Gilbert's
debut produced a 5 for 16 day with the pass and only
one offensive drive.
But Tulane had won its opener, a victory few had
expected, and excitement was rampant as the Wave
approached its Dome opener.
128
129
The excitement was dampened by a mysterious
ticket screw-up which say a large number of season
ticket holders not receiving their seats in time for the
contest with Old Miss, but nonetheless, 50,000 partisans
were still on hand on September 20 as the Wave won
another sweet victory, 14-3 over the Rebels who would
finish the season among the leaders in the Southeast
Conference.
Again, the Wave relied on the big play in gaining
victory, as Gilbert connected on a 52 yard scoring bomb
to Garza for one touchdown.
Things were looking bright.
But the roof collapsed on the team the following
Saturday, and Tulane went on to lose its next two Dome
encounters, when offense-minded Syracuse grabbed a
31-13 decision and Vanderbilt's 6-3 win left neither team
impressed. A crowd of only 31,000 sat through the latter
game and by the final gun, that once exhuberant enthu-siasm
had obviously died out on Willow Street. But
adversity brought out the best in the club.
Two astonishing upsets. The first came in a spec-tacular
come-from-behind win over Eastern powerhouse
Boston College as a 52 yard strike for six and Walter's
kicking efforts outshone the Eagle's defense. Then the
following weekend, Tulane, in one of the true "snakepits"
of college football, defeated a tough West Virginia.
Thus, all appeared well for a fine ending to the
Wave season. Four of the final five games were to be held
at home, and the rejuvenated Wave appeared ready to
treat the 63,000 who showed up the next Saturday to a
great game with a fine Georgia Tech Squad.
130
Instead, one of the weirdest turnarounds since 1974
season occurred, as the Yellow Jackets of Coach Pepper
Rodgers pelted Tulane 23-0. The Wave was never in the
game. There followed an embarrassing loss to a Kentucky
club wracked with internal dissension and charges that
star running back Sonny Collins was involved in a
bizarre kidnapping/murder case, tied to the Mafia and
drugs no less.
The Wave returned home with hopes of a winning
season intact, however, as the Wave would host three
admittedly awful teams in Air Force, North Carolina,
and LSU.
After dropping the Air Force game, Tulane faced a
weak North Carolina team (2-7 at the time). It was a
losing effort, but the real story was not in the Superdome
that night, but at good ol' Tulane Stadium.
131
For up on Willow Street, some 2000 students put on
a well organized and entertaining Dome Boycott, pro-testing
the team's movement downtown.
Tulane's band played its regular football program
at the protest, the game itself was broadcast by WTUL
over special loudspeakers, and the Business School
and Sigma Nu Fraternity played an intramural football
game on the field below for the fans.
In terms of overall effectiveness, the protest was
relatively futile though widespread among the student
body (only about 100 showed up downtown); but while
the rest were suffering through all the hassles and losses
at the Superdome, the 2,000 were having a fine time
uptown, proving that guerrila theatre did not die out in
1970.
They got to drink whatever they wanted as well.
132
FOOTBALL TEAM
Bryan Alexander Joseph Jacobi Mark Olivari
Keith Alexander John Jolin Mike Price
Brent Baber Mark Jones William Roeling
Nathan Bell Cleveland Joseph John Ronquillo
Kit Bonvillian Donald Joyce Gary Rudick
Paul Brock Mike Korf Gerry Sheridan
Robert Brown Bill Kramer Hank Tatje
Miles Clements Eric Laakso Glenn Thomas
Kenneth Daniel Charles Lapeyre Steve Treuting
Rene Faucheux Don Lemon Bill Van Manen
Gene Forte Arthur Liu77a Cliff Van Meter
Jaime Garza James Long Harold ViUere
Cameron Gaston Jay McGrew Cliff Voltapetti
Buddy Gilbert Howard McNeill David Walters
Arthur Green Martin Mitchell Wyatt Washington
Charles Griffin Zack Mitchell Darwin Willie
James Gueno Stewart Nance Blane Woodfin
Jack Gullison Bill Nix Alan Zaunbrecher
Bennie Ellender/Head Coach
133
LSU
LSU week finally rolled around, and all the frustra-tions
and dismay of the past season came to the surface
early in the week when rumors hit the papers announc-ing
the imminent fulng of EUender, despite the greater
part of his contract still to be paid off.
The rumors persisted all week as Bennie tried to get
his group ready for the Tigers and Tulane officials con-tinued
their silence.
Whether it was the uncertainty of who their head
coach would be or the lack of confidence after four
consecutive, miserable performances, Ellender's charges
pretty well determined the coaching decision in a de-meaning
42-6 loss the worst LSU team in many a year.
Tulane ground up only 164 yards, threw six
interceptions, and gave up over 430 Tiger yards in the
rout in a series that was finally supposed to be even.
Tulane closed out a 4-7 year and Ellender's tenure at the
Dome's contest. Bennie was fired two weeks later,
reportedly after a group of wealthy alumni finally stepped
up and agreed to pay off his and his staff's huge salaries.
And so the EUender era was over at Tulane. He had
amassed a not very impressive five year record of 27-29
with the Greenies and had suffered through three losing
seasons. But he had given the Wave a super 9-3, 1973
season, a Bluebonnet Bowl Bid, and the first victory
over LSU in a quarter of a century. For that he should
be remembered.
The search for a replacement began almost im-mediately,
with the rich alumni doing the bankrolling
and apparently the recruiting as well. Finally, on
December 19, the Wave signed a very excited Larry
Smith to the job and the former Assistant Head Coach
at Arizona (and assistant to Bo Shembechler at
Michigan) began his work.
When some 32,000 people showed up in the
Superdome in early April to see an evenly matched
Spring Game, it was obvious that Tulane fans all over
New Orleans were reacting positively to the program
Smith was putting together.
134
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1 975 SEASON RECORD
(4-7)
Tulane 17 Clemson 13
Tulane 14 Mississippi 3
Tulane 13 Syracuse 31
Tulane 3 Vanderbilt 6
Tulane 17 Boston College 3
Tulane 16 West Virginia 14
Tulane Georgia Tech 23
Tulane 10 Kentucky 23
Tulane 12 Air Force 13
Tulane 15 North Carolina 17
Tulane 6 Louisiana State 42
139
BASKETBAU
1975-76
Tulane's 1975-76 Basketball program ended up
with a new coaching staff, but by the choice of Charles
Moir rather than the University, and the season con-cluded
on much happier tones than did football, despite
a disappointing opening round loss in the Metro-Six
Basketbcdl Tournament.
The team finished the year at 18-9, the best record
for a Wave unit since 1948, while setting a number of
marks during the season as well. The Wave won outright
the final City Series Basketball Tournament, finished
second to a super Tennessee team in the prestigious
Sugar Bowl Tourney, won aU nine games it played in
historic Tulane Gym, and played one of the finest bas-ketball
games ever against the North Carolina Tar Heels.
All-American Phil Hicks, a fourth round choice in
the summer's NBA draft, returned to school to set a new
Tulane czireer scoring record with 1,586 points in two
and a half years. The native Chicagoan finished the
season with 20.6 points a game and 10.8 rebounds, lead-ing
club scoring in 12 of the season's games, including
most of the important ones.
Jeff Cummings, Pierre Gaudin, and Arthur Bibbs
all finished the campaign scoring in the double figures,
the first time four Wave starters had done that in any-one's
memory.
140
141
On March 15, only ten days after the close of the
basketball season with the loss to Georgia Tech at the
Metro-Six Meet, Coach Charles Moir announced that he
was leaving the New Orleans' school to become head
coach at his alma mater, Virginia Tech.
Moir had guided three Wave teams to records of
12-14, 16-10, and 18-9, and had definitely turned around
the Tulane's program. Echoing the footbeill situation a
few months before, top alumni stepped in and brought
some very class people to look over the new opening,
finally settling on one super coach, Roy Danforth of
Syracuse.
Danforth had guided his last six Orangemen teams
to post season tournaments, including four NCAA bids
in a row. Over an eight year span, he also posted a 148-
71 record. Danforth's 1974-75 club reached the semi-finals
of the NCAA Tourney before bowing to Kentucky.
And with Cummings (19.7), Gaudin (15.4), Bibbs
(11.3), and Tommy Hicks, who had an amazing 208
assists, all returning, Danforth and Tulane fans can look
forward to continued success on the basketball court,
even with the loss of one of Louisiana's finest players,
Phil Hicks.
142
BASKETBALL TEAM
Arthur Bibbs Keith Houston
John Bobzien George Kloak
Marcellus Bonner Terry McLean
Jeff Cummings Marty Prendergast
Marc Fletcher Richard Purtz
Pierre Gaudin Greg Spannuth
Phil Hicks John Thompson
Tom Hicks Paul Yungst
, Charles Moir/Head Coach
143
1 975- 76 SEASON RECORD
(18-9)
Tulane 87 S. Dakota 81 Tulane 100 Denver 86
Tulanc 96 Rice 63 Tulane 101 Citadel 85
Tulane 65 LSU 79 Tulane 59 So. Miss 67
Tulane 55 Arkansas 67 Tulane 107 SUNO 72
Tulane 91 Ole Miss 88 Tulane 99 Xavier 85
Tulane 90 Cornell 72 Tulane 84 Richmond 79
Tulane 80 Ohio State 65 Tulane 86 Dillard 80
Tulane 73 Tennessee 97 Tulane 94 Samford 77
Tulane 97 UNO 102 Tulane 106 North Carolina 113
Tulane 92 Duke 82 Tulane 63 Marquette 75
Tulane 69 Kansas State 81 Tulane 82 UNO 81
Tulane 111 So. Miss 86 Tulane 95 Ga. State 63
Tulane 59 Georgia Tech 58 Tulane 68 Ga. Tech 74
Tulane 77 Air Force 64
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146
(
In spite of the loss of a slew of players due to freak
injuries, Tulane's Baseball team enjoyed its third con-secutive
twenty-win season, and had a helluva time
doing it, spending eight days on the island of Oahu in
Hawaii playing the University of Hawaii Rainbows.
Coach Joe Brockhoff, whose team won 24 in his
first year in 1975, led the club to a sweep of Louisiana
State by 2-1 and 5-1 scores - the first time a Wave team
has done that since 1971. He also managed to keep the
team ranked among the nation's top thirty clubs all
season long.
Individually, righthanded pitcher Steve Mura had
his second outstanding season in a row, breaking
Tulane's all time strikeout record of 136. Mura thus ends
his career at Tulane (though only a junior, Mura is avail-able
for the pro draft this year and reportedly will go
very high in the proceedings) by breaking or tying every
major pitching mark. Vince De Grouttola and newcomer
Joe Tkac both had fine seasons as well.
Center fielder John Foto meanwhile dazzled fans
all year long with his batting average, hovering around
the .400 level and ranking in the top ten in the NCAA,
Foto set a new record for hits in a season by be-coming
the first Wave player to get 50 base hits in one
season. He also led the team in runs scored and stolen
bases.
Another junior who should leave New Orleans for
professional baseball next year, catcher Jim Gaudet,
came on strong with the bat towards the end of the year.
Setting new Wave marks with seven home runs and over
40 runs batted in, Gaudet broke the record for most
putouts in a season.
Designated hitter Gary Roney, infielder R. J.
Barrios, first baseman Frank Steele, and catcher Steve
Pumilia also closed out their Tulane careers, all of them
four year lettermen.
147
BASEBALL -- 1 976 SEASON RECORD
(22-13-1)
Tulane 1 Spring Hill
Tulane 20 Spring Hill 4
Tulane 21 St. Bernard 5
Tulane 4 St. Bernard
Tulane 4 Illinois St.
Tulane 4 Illinois St. 2
Tulane 4 Hawaii 5
Tulane Hawaii 1
Tulane 1 Hawaii
Tulane Hawaii 4
Tulane 1 Hawaii 2
Tulane 2 Hawaii 8
Tulane 5 Southwest La. 4
Tulane Southwest La. 2
Tulane 2 Bradley 3
Tulane 3 Princeton 3
Tulane 1 Princeton
Tulane 1 Princeton
Tulane 9 Western Mich.
Tulane 4 Western Mich. 2
Tulane 14 Western Mich. 1
Tulane 9 Centenciry 3
Tulane 11 Centenary
Tulane 2 South Alabama 4
Tulane 8 South Alabama 12
Tulane 2 Louisiana St. 1
Tulane 10 La. College
Tulane 6 La. College 1
Tulane 5 La. College 7
Tulane 2 Delta St. 3
Tulane 7 Delta St 6
Tulane 3 New Orleans 6
Tulane 5 Louisiana St. 1
Tulane 4 Southern Miss. 5
Tulane 9* Southern Miss. 1
Tulane 4 New Orleans 3
Tulane 4 Cincinnati 1
Tulane 6 Louisville 2
Tulane 1 Memphis St. 15
148
BASEBALL TEAM
Bill Babin
Chris Bamet
R. J. Barrios
Barry Busada
Barry Butera
Brian Butera
Larry Cabeceiras
Doug Caldarera
Neal Comarda
Vincc DcGrouttola
John Foto
Alan Foxman
Bill Gaudet
Jim Gaudet
Pierre Gaudin
Dan Gerson
Barry Herbert
John Kuhlman
Mark Maher
Ron Marcomb
Steve Mura
Mike Pamon
Dave Pickering
Steve Pumilia
Mickey Retif
Gary Roney
Jackie Snell
Frank Steele
Joe Tkac
Joe Brockhoff/Head Coach
149
150
15.
1
SWIMMING
Coach Dick Bower's Swimming team was torn by a
host of internal problems during the 1975-76 year, prob-lems
which resulted in the dismissal from the squad of a
majority of the scholarship swimmers, including several
top stars.
As a consequence, the Swimming team fell to a 6-7
record this year, by far the worst season a Bower
coached group has had in the Monk Simons Pool.
Bower's son Billy did represent the University at the
NCAA and AAU National Tournaments in Providence,
Rhode Island and Long Beach, California.
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152
SWIMMING TEAM
Brian Beach
William Bower
Brian Burke
Charles Carmichael
Scott Cowand
Ben Goslin
Scott Handler
Dann Jung
George Mattingly
David O'Leary
Matt Padgett
Terry Owens
C. Richard Bower/Head Coach
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TENNIS
Coach Duane Bruley continued his outstanding
rejuvenation of the Tulane Tennis Squad in 1976,
leading his charges to a super 16-3 record by the end
of April. The nctters captured eleven matches in a row
at one point, defeating such clubs as Louisville, South
Alabama, Southern Mississippi, Georgia Tech, and
Eastern Michigan.
Number one player Davis Henley won 14 of his first
16 matches, and was joined in the winners circle most
of the time by Marc Bernstein, Robb Bunen, and Alan
LeBato.
154
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TENNIS TEAM
Marc Bernstein
Steve Buerger
Robb Bunnen
Ed Gaskell
Davis Henley
Alan Le Bato
Curtis Moslcy
Charlie Rast
Jim Smith
Duane Bruley/Head Coach
155
TRACK
Tulane's Track Team didn't set the world on fire in the
1976 year, but they were there with all the big time
teams across the nation.
Coach Johnny Oelkers took his track stars to indoor
meets throughout the South eeirly in the season and the
NCAA Indoor Championships in Detroit, Michigan. The
squad also traveled to outdoor relay meets in Florida,
Texas, Iowa (at the famed Drake Relays) and to the
Metro-Six and NCAA Championships in Memphis and
Philadelphia in May and June.
TRACK TEAM
Nick Anderson
Martin Bailkey
Roger Campana
Warren Chandler
Leonard Culicchia
Jeffrey Davis
Rene Facheux
Steve Foley
Dennis Gordon
Gary Hahn
Don Joyce
John Morrisette
Tom Pond
Lance Rydberg
Tom Stephenson
James Stoyanoff
Peter Taylor
Johnny Oelkers/Head Coach
'd
156
GOLF
Coach Jim Hart provided his relatively dormant
Golf Tecun with some nice trips. The golfers journeyed to
Tallahassee, Florida to participate in the Florida State
University Invitationals early in the year. Traveling to
Guadalajara, Mexico to play in the Bing Crosby Col-legiate
Invitational Tournament on the famed San Isidro
Golf Course were Al Bartelstein, Tab Neblett, Steve
Brown, and Rick Gnust.
GOLF TEAM
Alan Bartlestein
Steve Brown
Mike Doppelt
George Durot
Nell Freewin
Scott Greiner
Rick Gunst
Herb List
Henry Mull
Tabb Neblett
Jim Hart/Head Coach
157
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WOMEN'S SPORTS
The year saw yet another innovation in college
athletics hit the Tulane campus: female athletes.
Under the guidelines of Title Nine, a congressional
decree directing the nation's colleges and universities to
spend much more on women's sports, Tulanc fielded
teams of girls in tennis, basketball, and volleyball.
Kay Metcalf led her Volleyball tetmi all the way to
the state championships in Baton Rouge and victory
over the best of the rest in Louisiana. The volleyball girls
also participated in the Texas-Louisiana-Arkansas
Regionals in Natchitaches.
Tulane's Basketball club under Karen Womack and
the Tennis club under Jean Shapiro Stewart didn't fare
quite as well, but it was a giant step in the right direction
to see Tulane's female athletes finally being allowed to
showcase their skills.
And it's only a beginning.
159
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161
TURNOVERS
Amidst all of the changes and events, perhaps two
personnel turnovers stood out above all, one made at the
beginning of the school year, the other when all sports
had concluded their seasons.
From the beginning, Tulane's athletics, as with the
rest of the University community, had to deed with a new
head man. President F. Sheldon Hackney.
When the former Princeton Provost was announced
as the successor to Herbert Longenecker, many at the
sports end of the campus shuddered at his age and
"academic" demeanor. But fear was soon replaced with
confidence.
As most found out from the start. Hackney realized
better than anyone else just what place athletics should
have at the private university. He appeared to approach
problems with a very realistic and objective point of
view, handling major dismissals and selections — all in
his first year at Tulane.
Hackney refused to be manipulated by big-time
sports interests, but also refused to knuckle under to
those who saw no place for the "jocks" in a modem
academic setting. Between the coaching changes and
other problems generated by staff disagreements, he
showed a remarkable dexterity.
It wasn't that athletics was not a friend to the new
President; it just wasn't his ONLY friend.
And at the end of the year, Tulane learned that it
would have yet another new face in the Athletic Depart-ment
as Athletic Director Dr. Rix Yard announced his
resignation after guiding Tulane's sports program for
some 13 years.
It seemed that time and progress had simply caught
up with the 59 year old Yard, and his leaving had been
rumored for months as more and more power slipped
from his grasp. Yard had little input in the decisions to
fire EUender, hire Smith or Danforth, as Tulane's alumni
and a group of promoters became more and more
prominent in the Athletic Department's business.
Some of these men felt Yard was too rooted in the
past to steer the program effectively; he didn't appear
able to understand the promotion and hoopla which
must go with modem day athletics on a college level if
they are to survive. And so the New Jersey native was
pressured into moving on.
162
163
It appears that athletics at Tulane has assumed a
new posture. It is a welcomed transition and one that
finds the strength to stand with a straight-forward and
considerate attitude towards the rest of the University.
New ideas and ways of doing things are coming, and just
possibly, in a few years, Tulane's name may again be
known among the elite circles of college athletics. And
academics.
Tulane now has the money and the people to become
really Big Time. It will be an interesting couple of years.
*m^
164
165
167
"Faculty Professors, teachers; they all had grey beards, you know. It's
amazing. Seems to just go with professors. Kind of like the hard hat of the intel-lectual
world. Skinny, too. Professors must suffer a lot. I know mine did. The
fiinny thing about teachers, is they always seem to teach you something you
didn't realize you were learning. This one teacher I had for instance. Dr. Gilling-ham.
Looked exactly like Don Quixote ... a littie eccentric, too. Most people
think being eccentric is the same as being senile. Gillingham? He wasn't senile.
He was sharper than Caesar . . . Sharp and just a little crazy ... like most pro-fessors.
169
DRCLEANTH
BROOKS
MELLON
PROFESSOR
SPRING, 1976
ANTHROPOLOGY
John L Fischer
Munro S. Edmunson
Arden R. King
Robert Wauchope
Victoria E. Bricker
Harvey M. Bricker
Chesley S. Lancaster
Elizabeth S. Watts
Francesca C. Merlan
ARCHITECTURE
Bernard Lemann
Lloyd Bray
Humberto Rodriquez
Frank Smith
Stephen Jacobs
Bob Dean
Brand Griffin
James Lamantia
Eugene Cizek
Bill Morton
John Rock
Richard Powell
Dean Turner
Leo Oppenheimer
John Morris
Camille Newton
Bill Calougne
Georgia Bizios
Not Pictured:
John Clemmer
Bob Schenker
Bob Helmer
ART
Russell Sale
Donald Robertson
Greer Farris
Caecilia Davis
Jessie Paesch
Elizabeth Langhome
Pat Trivigno
Arthur Kern
James L Steg
ASTRO-PHYSICS
R. D. Purrington
172
Peter E. Volpe
Stuart S. Bamforth
D. Eugene Copeland
Harold A. Dundee
Joseph A. Ewan
Milton Fingerman
Gerald Gunning
Richard D. Lumsden
Merle Mizell
Alfred E. Smalley
Royal D. Suttkus
Arthur L Welden
John T. Barber
Leonard B. Thien
Joan W. Bennett
Erik G. Ellgaeird
David R. Fredericksen
Clayton R. Page III
Robert Tompkins
Gerald Bresnick
Mary Z. Pelias
173
CHEMISTRY
Marcetta Y. Deirensbourg
Jan Hamer
Gary L McPherson
Harry Ensley
Joel T. Mague
Larry Byers
Eugene Hamori
William L Alworth
Donald J. Darensbourg
Not Pictured:
Hans B. Jonassen
Thomas F. Fagley
Charles J. Fritchie Jr.
k^
'"#* ff*
4
»^*
174
CIVIL ENGINEERING
Robert Nolan Bruce Jr.
Peter Y. Lee
Terence McGhee
Walter E. Blessey
Frank W.Dalia
Barry A. Benedict
CLASSICS
Hillel A. Fine
R. M. FrazerJr.
James J. Buchanan
Martha Beveridge
Sanford G. Etheridge
175
ECONOMICS
Paul Hanley I
John M. Trapani III !
Edwin Fujii '
J. Ernest Tanner
Richard Zecher
Frank L Keller
176
Melvin L Gruwell
Thomas L Patrick
Louis E. Barrilleaux
Eldridge J. Gendron
Jacyra F. Abreau
Marguerite B. Bougere
Shuell Hamilton Jones
James E. Quick
Ansley H. Shuler
Rita G. Zerr
Gray S. Garwood
177
ENGUSH
Richard P. Adams
Andy P. Antippas
Michael M. Boardman
Purvis E. Boyette
Dale H. Edmonds
Earl N. Harbert
Joseph P. Roppolo
Larry Simmons
Gerald Snare
Lamarr Stephens
Phillip Bollier
Richard Finneran
Marvin Morillo
Edward Partridge
Maaja Stewart
Gardner Taplin
James Quick
Not Pictured:
Thomas J. Assad
Peter Cooley
Huling E. Ussery
Samuel McNeely
Joseph Cohen
Robert Cook
Donald Pizer
FRENCH AND ITALIAN
FRENCH
Catharine Brosman
Paul Brosman
Weber Donaldson
Simonne Fischer
Francis Lawrence
Jeanne Monty
Harry Redman, Jr.
William Woods
Thomas Zamparelli
ITALIAN
Ann Hallock
Victor Santi
178
GEOLOGY
Eileen Gollander
M. John Kocurko
Ronald Parsley
Emily Vohes
Mike Fogarty
James Cooke
Joachim Meyer
Dave Dockery
179
ISO
GERMAN
George M. Cumniins
Bodo Gotzkowsky
Ann R. Arthur
Marianne Whitmore
Michael Porter
Andrew Leblanc
Susan Layton
Yvette Uoyd
Karlheinz Hasselbach
Thomas C. Stames
GRADUATE
BUSINESS SCHOOL
F.W.Bennett
Edward C. Strong
Lanv R. Arnold
Nicholas A. Muley
Evan E. Anderson
Elizabeth R. Casellas
Irving H. LaValle
David W. Harvey
Kenneth J. Boudreaux
Hugh W. Long
James T. Murphy
Daniel B. Killeen
Jeffrey A. Barach
Not Pictured:
Harper W. Boyd Jr.
Richcird Bechwith
Seymour Goodman
Stephen Zeff
Richard Hays
James Linn
181
HISTORY
Francis G. James
Peter T. Cominos
Gertrude Yeager
Charles H. Carter
C. MacLachlan
Richard Latner
W. Burlie Brown
Raymond A. Esthus
Nels M. Bailkey
George Carpenter
Hugh F. Rankin
T. Yeager
Charles T.Davis
Radomir V. Luza
O. Edward Cunningham
Richard J. Batt
Robert E. Greenleeif
Bill C. Malone
Samuel M. Kipp
182
Thomas J. Andre, Jr.
Mack E. Barham
Rodolfo Batiza
David A. Combe
Harvey C. Couch, III
Robert Force
Hoffman F. Fuller
Leon D. Hubert, Jr.
Alain A. Levasseur
William A. Lovett
Luther L McDougal, III
Cecil Morgan
Leonard Oppenheim
Christopher Osakwe
Vernon V. Palmer
Billups P. Percy
John L Peschel
Cynthia A. Samuel
Ferdinand F. Stone
Joseph M. Sweeney
Wayne S. Woody
David A. Combe
James M. Walley
MATH
J. Thomas Beale
Charles B. Bell
Mark Benard
Frank T.Birtel
Patrick Brockett
A. H. Clifford
Edward D. Conway
John Dauns
Maurice J. Dupre
Ronald A. Fintushel
Laszlo Fuchs
Jerome A. Goldstein
Bill Greene
Pierre A. Grillet
Karl H. Hofman
Ronald J. Knill
Terry C. Lawson
Arnold Levine
John R. Liukkonen
Michael W. Mislove
Jennie B. Mullin
William R. Nico
Shashi Phoha
Frank D. Quigley
James T. Rogers
Steven I. Rosencrans
Albert Vitter
William Zame
183
184
MEN'S PHYSICAL
EDUCATION
Harvey M. Jessup
Leonard Pruski
Bruce Bolyard
Richard Bower
Nobuo Hayashi
Peter J. Maua
WOMEN'S PHYSICAL
EDUCATION
POLITICAL SCIENCE
Douglas Rose
Michael P. Smith
Warren Robeils
Henry L. Mason
William B. Gwyn
Paul Freedenberg
James D. Cochrane
George C. Edwards
William W. Shaw
Robert S. Robins
187
PSYCHOLOGY
Elizabeth Henrick
Chizuko Elzawa
Dairs J. Chambliss
EIna Lilodeau
Tom Kodera
Lawrence Dachowski
Edgar C. O'Neal
William P. Dunlap
Terry Christensen
Jefferson L Sulzer
Arnold Gerall
Jerry L Fryrear
Barbara E. Molly
PHYSICS
Frank E. Durham
Allen M. Hermann
Michael King
R. D. Purrington
Robert H. Morriss
Salvatore G. Buccino
Joseph J. Kejame
Timir Datta
Ronald J. Deck
Karlem Riess
Michael Collier
Patrick Callahan
MECHANICAL
ENGINEERING
Stephen C. Cowin
Robert G. Watts
Allan M. Wcinstein
Harold H. Sogin
Hugh A. Thompson
Louis P. Orth
David W. Wicting
Wm.C.VanBuskirk
Kenneth H. Adams
DeWitt C. Hamilton Jr.
Henry F. Hrubecky
Edward H. Harris
190
MUSIC
Egydio de Castro c Silva
Peter S. Hansen
John Joseph Joyce
Robert Elwyn Preston
Francis Leonard Monachino
John William Baur
Meneve Dunham
John Marinus Kuypers
H. LONDON
192
SPANISH AND PORTUGUESE
Almir Bruneti
James C. Maloney
Norman Miller
D. W. McPheeters
Thomas Montgomery
Otto Olivera
Gilberto Paolini
James Pontillo
William J. Smither
Alberto M. Vazqu'
George Wilkins
THEATER & SPEECH
Kevin Hoggard
Lee Waldron
George W. Hendrikson
G. Carr Gamett
Jack Cowles
Bruce Podeu/ell
Pam Jackson
Milly S. Barranger
193
195
"Organizations? You bet ... I was in several clubs. I prefer the word club, you
know. A lot of people thought clubs were a waste of time . . . funny, I sometimes
thought studying was. It seems like I learned more from the clubs I was in than
from the books I read . . . practical experience, if that's what you call it. That goes
hand in hand with the books. I joined several clubs . . . What'd we do? We offered
the student body an entirely different dimension of education ~ but without the
exams, of course.
«> **»
197
CACTUS ffKlkMl^!^9m ^
198
199
tuvac TULANE UNIVERSITY VIDEO ACCESS CENTER
200
ACTIVE VOLUNTEERS
Charles Albert
Phil Anderson
Marc Blumenthal
Jennette Brickman
Richard Chesnick
William Condon
Greg Crittenden
George Durant
Anne Espenan
Susan Foster
Tom Geiseler
Diane Greenspun
Charles Hettema
Robert Leeson
Lauri Makela
Farell Meisel
David Merryman
Bob Moir
Debbi Ravich
Jean Roysden
Michael Saag
Rick Shepard
Christine Westfeldt
Gregory Wilson
Mitch Wood
EXECUTIVE
COMMITTEE
William Maiman . . . ^. .General Manager
Ernest Lynch Production Manager
AlexLafargue . . . .CACTUS Representative
Lorin Henry Production Manager
Robert Quinn Operations Manager
Larry Sokolic Member-at-Large
201
DIRECTION 76
Phyllis Karsh
Kenneth Katzoff
Jeff Turner
Lawrence Fleder
Jaymi Bachman
David Waller
Neil Lichtman
Gordon Sokoloff
Susan Moore
Susan Horowitz
Susan Lapidus
Jeff Matson
Sherri Garland
Francie Oberfest
Jef Farley
202
CENTER
PROGRAM
TULANE UNIVERSITY CENTER
NEW ORLEANS,LA. 70118
203
STUDENT SENATE
204
205
KARATE
KARATE AND JUDO Matt Segal
Jo Ellen Franken
Steven J. Sensibar
Mark Beuhler
Cary Hirsch
Bill Thornton
Jose Vazquez
David Yap
Elizabeth Lennep
Virginia Bitzer
Paul Andrade
Michael Rubin
Martin Kay
Richard Menendez
JUDO
Mr. Hayashi
Otto Mehrgut
Gene Novack
Rene Carballo
Jonathan Buka
Karl Ellens
Richard Knight
Cynthia Luckie
Cissy Pcumell
Peria Seludes
Pam Sweene
Ed Throop
Kathy Vincent
Steve Windthorst
206
ROTC
207
TUIANE CHOIR
• V >i
208
INTERFRATERNrrY COUNCIL
209
SOCCER
>,»' •^ / . "i e sr^tf
210
A.C.T.
Ronald McGowan
Angela Stewart
Melody Carter
Cindy Ernest
Paul Mitchell
Lorenzo York
James Smith
Michael Thompson
Ron Malone
Terron Sims
Verel Washington
Gregory Harrison
Edward Patterson
Anne-Renee Heningburg
Sherman Jones
Genelle Anderson
Sonya Rogers
Winifred Wallace
Selarstean Mitchell
Earl Williams
Nadine Ramsey
Nina Thomas
Cheryl White
Glen Gex
George Long
Steve Hawkins
Eric Cager
Janice Terry
Juliet Guillory
Debbie Reynolds
Kimball Octane
Kirk Jackson
Moses Williams
Keith Wolfe
Raoul Rodriguez
Oran Williams
Lynn Bemal
Virgil Wilkerson
Claire Knighten
John Sanders
Clarence Davis
Feral Sterling
Ernest Lynch
Walter Willard
Brian McConduitt
Kenneth Nash
Steve Jones
Horace Cornish
Cameron Gston
Martin Mitchell
Barry Morris
Gerilyn Wilson
Thaderine Dolliole
Seenea Fulton
Claude Gasper
Kevin Johnson
Anthony Johnson
William Washington
Arthur Green
Wyatt Washington
211
SAILING
212
LACROSSE
Mike Mariorenzi
Paul Musco
Henry Spicer
Phillip Niddrie
Mark Muller
Robert Strini
Jeff Butler
Philip Hanlon
John McMillen
David Matcizar
Lloyd Whitley
Mark Weiderlight
Philip Rodgers
Ken Lotze
Peter Hitt
Peter Spann
Eric Dublier
Conrad Johnson
Paul Spanbock
Dirk Van Hoogenstyn
Jake Aldredd
John Mcintosh
Ned Braman
Patrick Connell
Ran Coleman
Joe Verscheuren
Dominic Tamburo
Vic Darbieri
Gordon King
Tom Wylie
213
RUGBY
Steve Bumpus Scott Deter Randy Wyckoff
Lynn Parry Tad Daniels Al Foley
Doug Watkins Ray Hunting Henry Hahn
Bill Schwartz Gary Hahn Frank Brill
Jack Adams Steve Leikin Bob MacDonald
John Walsh Steve Crane Bill Alpaugh
Jim Richeson Rick Roselli Randy Dalia
Jim Summerour Jon Shaffer Tom O'Neil
Warren Hutton Vincent Dobbs Sam Dixie
Bill Merritt Doug Walton Dan Anderson
Tony Lombardo Chip Warshaw Mike Rinella
Bob F*reston Mitch Woods Roger Temperlake
Ron Quinton Lee Baron Ed Sheinis
Bill Daniels
214
215
MEDIA
216
217
TUL>4NE
HULL>4B>4LOO
218
DanFishbein £ditor-in-chief
Robin Buckner Part-time Associate Editor
Jim Fazzino Business Manager
Nate Lee News Editor
Greg Ptacek JSews Editor
Brad Steitz Asst. News Editor
Marjorie Myers Asst. News Editor
Stan Mulvihill Arcade Editor
Al Benner Associate Arcade Editor
Larry Dumont Asst. Arcade Editor
Skipper Scott Asst. Arcade Editor
TomKerins Sports Editor
Mike Johnston Sports Editor
Peter Holt Asst. Sports Editor
Andy Boyd Photography Editor
Eric Jones Cartoonist
Amy Conner Illustrator
Sally Lam Advertising
AndyAntippas Faculty Advisor
NEWS REPORTERS: Rusty Smith, Marty Ross, Margie
Loeb, Susan Moore, Leslie Andelman, Keith Astuto, Farifax
Fullerton, Mark Lemer, Jerry Earnest, Carolyn Shoulders,
Paul Allen, Virginia Levert, Jim Peifer, Larry Tendler, Gail
Bonner, Cindy Perrone, Thorn Jurkovich, Maury Siebs,
Marian Enochs, Jennifer Matz, Arnold Schoenberg, Gary
Cohen, Patti Cammack, Alicia Castilla, Wynn Howard, N.
Trinsic Binnifits.
PHOTOGRAPHERS: Mark Sindler, Rob Shoss, John
Ready, Graham Anthony, Rob Sharpstein, and Francisco
Alecha.
219
U
Michael Longman General Manager
Bryan Melan Program & Music Director
James Gilbeau Chief Operator
Roy Clay .Technical Director
Bob Dabney Public Relations Director
Kathy Fischman J^ews Director
JoryKatlin Sports Director
Maurice Roe Production Director
TomPlanchard Asst. Chief Director
Al Breitstein
Mark Carron
Charles Driebc
Jordon Faerman
Linda Caller
Kevin Grant
Rob Heidt
Jay Hollingsworth
Len Marino
Stan Mulvihill
Steve Rappaport
Shepard Samules
Mike Schwartz
W. David Simon
Alan Smason
Doug Smith
Bruce Wall
Gregory Wilson
Gordonius
Sam 'Wholeftus'
Crazy Nate
Stan the Montana Man
H.Lee
Howie Bromley
and of course — Tanya
NOT PICTURED:
(because they're taking the picture)
Shoss
Marcos
Armistice R. Lunchmcat
Redman
Shopstein
Andy, and Wendi — the artist.
Also not shown: Our favorite faculty advisor:
Dr. Andy Antippas (he's in the library reading
Keats)
222
223
224
227
"Fraternities? I never could understand what all those Greek letters meant
I joined two frats . . . nobody in either of them knew what those letters meant. Of
course, nobody in either of them knew I was in both . . . must have been a lack of
communication. I never could decide which frat was better. Great parties, good
food, nice women, alright guys . . . You know, 1 never really could tell the dif-ference
between those two frats. All that Greek stuff . . seems like it was just
traditional secrecy. I always did enjoy those parties, though, . .
. twice as many
as anyone else, you know. That really gets to you after a while ... I never could
understand that Greek stuff, though.
229
M
230
231
232
ALPHA
DELTA
PI
Leticia Alejandro
Margaret Bauer
Barbara Bcrchielli
Jean Bettis
Clara Currie
Jeanne Farmer
Roberta Jo Hawk
Paula Kelly
Martha Milbum
Courtney Moore
Kathleen Peixton
Cynthia Sharer
Marguerite Smolen
Venezia Webber
Patricia Wright
233
ALPHA
EPSILON
PHI
Julie Adier
Ruth Adler
Stefi Allweiss
Jaymi Bachman
Sherie Baer
Holly Berkowitz
Betsy Bernard
Jenny Birge
Ann Blumberg
Johanna Brand
Susan Braverman
Debbie Cowan
Debbie Crown
Hallie Dworkin
Jolie Eisenberg
Kathy Epstein
Jane Feingerts
Olga Feldman
Patti Fisher
Lou Ann Flanz
Bonnie Flesher
Lolly Friedman
Sherrie Garland
Joanne Gold
Barbara Goldberg
Debbie Goldstein
Sherrie Gordon
Debbie Grossman
Margot Gruman
Valerie Habif
Debbie Hein
Jane Horowitz
Debbie Jarett
Amy Kahn
Kathy Kahn
Sue Katten
Cindy Katz
Judy Kent
Jodi Kodish
Susan Lapidus
Judi Lapinsohn
Traq/ Lees
Maria Lemer
Pam Lewis
Penny Lichtman
Gloria May
Ede Mathes
Julie Marcus
Jennifer Matz
Karen Meister
Carolyn Mintz
Julie Optican
Lisa Perlmutter
Leslie Pick
Judy Plotka
Cheryl Pollman
Diane Rapaport
Jody Raduns
Jill Reikes
Karen Robinson
Ava Rosenberg
Celia Rosenson
Lisa Rosenstein
Julie Saul
Janet Schendle
Louise Schwartz
Cindy Shapiro
Susan Shainock
BJZ. Simmons
Leslie Spanierman
Sara Speer
Leslie Stein
Jodi Stone
Amy Weil
Laurie Weiss
Bettsie Wershil
Nancy Weingrow
Usa Wolff
Sheree Yablon
234
ALPHA
TAU
OMEGA
Bruce Adams
Scott Boudreaux
Kevin Bowman
Guy Brierre
Frank Bruno
Brian Buendia
Charles Caldwell
Edward Casals
Taylor Casey
Guy Conata
Mike Chappuis
David Chidester
Frank Clark
Steve Crane
Randy Dalia
Luis Del Valle
Randy Dent
Mark Drapanos
Richard Eason
Toby Eason
Richard Ellis
Randy Eustis
Chris Ewin
John Finzer III
Jeff Forbis
Constantine Georges
Jim Grady
Andrew Hague
Scott Handler
James Hardy
Dan Herrmann
Dan Housey
Eric Hurbst
Keith Jacomine
Thomas Kingsmill
Robert Kohler
Howard Leach
Pat McCullough
Brian McSherry
Burke Madigan
Thomas Manson
Mark Mantese
Rene Martinez
Richard Mayer
Richard Melton
Ned Mogabgab
Harry Molaison
Thomas Nice
Bill Parsons
Henry Pfeffer
Paul Porter
Mark Randall
James Rodriguez
Robert Ryan
Carl Sturges
Bo Trumbo
Gary Turibio
Mike Walsh
Stewert Yee
235
^'^S
236
BETA
THETA
PI
Mike Ansani
Anthony Graham III
John Herbert Ashe
Kevin Beamish
George F. Bryant Jr.
Tom Buckner
Bradley Bums
Andrew John Chopivsky
Lawrence Kevin Coleman
Mark Cullen
Daniel Patrick Dalton
Scott Osbom Dash
Carlos M. DeSalazar
Robert Ellyson
Andrew E. Ericson
Ed Gill
Grant Gilliam
Steve Hans
James Harrison
Daniel P. Hefron
Sean M. Kelly
Richard F. Little
Steven G. Little
Chris M. Maher
Mike Mehan
Alton F. Martin
Henry Mercer
William L Molony
Rick Moycr
Mike McKinly
Paul S. Noble
William F. Nolden
Mike O'Day
David Orr
John L Ott
Mark P. Patterson
Rodney A. Poling
Powell Richardson Kammeyer
Donald G. Quirlan
Bob Redman
Bob Rentjes
Michael M. Schomstein
Bob Shepperly
David Sims
George P. Sotiropoulus
Gary Spevack
Jeffrey Lawrence Stanton
Glenn Tarsky
Bennett Tavar
John Tobin
Lawrence M. Wald
Tim Woodruffi
237
CHI
OMEGA
Martha Adkins
Kimberly Austin
Leslie Austin
Julie Barnes
Anne Bleakley
Clara Branch
Leslie Brennan
Virginia Carswell
Debbie Gates
Cathy Christian
Mimi Colledge
Nancy Collins
Courtney Cooper
Anne Delery
Vivian Deschapelles
Renee Downing
Carol Duke
Elise Dunits
Diana Durham
Kathy Elliot
Beth Fergusen
Shauna Fitzjarrell
Nancy Foster
Sarah Fox
Jo Ellen Franken
Holly Good
Debbie Gooscns
Carol Graham
Cindi Grenrood
Sally Guider
Claire Hammett
Ellen Hauck
Dawn Herrington
Marie Higgins
Virginia Holbrook
Peggy Hopkins
Julie Jones
Bonnie Kaplan
Kay Klotzman
Kim Kronzer
Deborah Lamensdorf
Ann Law
Lou Lemert
Deedi Littleton
Cacky Mabiy
Helen Mange
Michele Martz
Pamela Martz
KayMcArdle
Trish Meginniss
Mary Gay Moloney
Leslie Muller
Genny Nottingham
Catherine O'Brien
Gwen Palmer
Cindy Phillips
Terryl Propper
Jeanne Rader
Susan Ragde
Cathy Reynolds
Gina Rinella
Melissa Ruman
Donna Rushton
Sally Shaw
Belle Stafford
Cynthis Stephenson
Melanie Taylor
Mary Tull
Margaret Weese
Mossie Wheeler
Beth Winn
Anne Wynn
Margaret Zink
238
239
KAPPA
ALPHA
Dan Anderson
Bill Bell
Jim Bemey
Jim Beskin
Brian Boutte
John Bretz
Hank Brothers
Ed Bush
Tad Daniels
James Davis
Richard Deichman
Gary Dent
Brian Fitzgerald
Tom Gandy
Joe Garmer
Gene Gibson
Ron Goodwin
Gary Hahn
Tom Hopkins
Bob Horseley
Jeff Howland
William Howard
Giady Hurley
Bnice Kuenhle
Greg Manion
Guy Matelli
Bobby Moore
Brian Morissette
Rob McNielly
Noland Davis
Dickie Palfrey
Mike Rinella
Reid Senter
Ted Shepard
Mark Simon
Brian Sloan
Mike Smith
Tom Stuart
JeffTeleghany
Mark Thalheim
William Thalheim
Bill Thornton
Gene Troter
Tom Wallace
Jim Wisner
240
KAPPA
ALPHA
THETA
Palmer Alexander
Laurel Allen
Cathy Arcaro
Jane Auzine
Beverly Baker
Celia Baker
Terri Benson
Jeanne Bonner
Julie Brown
Molly Carl
Carol Clarke
Shawn Cook
Dierdre DiGiglia
Amy Dillon
Cathy Douglas
Mary Dow
Ann Dnimmond
Mcirina Elliott
Emily Ellis
Marian Eyraud
Cathy Fondren
Maryann Gaherin
Paula Gish
Suzie Haik
Michele Hava
Nancy Heausler
Kate Herman
Donno Hines
Alice Hinton
Anne Holmes
Karen Horan
Diane Hudock
Margaret Innis
Sissy Jackson
Melanie Justice
Kim Keller
Lyn Keller
Kctfen Kilgore
Dawn Klemow
Mary Mayhcw
Loma McMullen
Kelly Merritt
Leslie Miles
Kathy Morris
Kimberly Morris
Mcutha Mullins
Susan Murr
Phylis Nachman
Patti Nierman
Eileen Niesen
Jenny Niesen
Dody O'Connor
Melissa Ogden
Janie Pace
Anne Ponton
Jeannine Powell
Vickie Reggie
LarkRenz
Cciria Ross
Sally Savic
Helen Schull
Debbie Server
Kim Shaw
Jan Smith
Leesa Suddath
Mariann Teachnor
Lisa Thomas
Peggy Treuting
Kathy Van Buskirk
PatVanBuskirk
Cati Wilcox
Diana Williams
Liz Williams
DeeDee Zink
241
KAPPA
KAPPA
GAMMA
Joann Aicklen
Diane Andrus
Celeste Bertucci
Sarah Blanchard
Brenda Bland
Lucie Bostick
Margaret Broadus
Debbie Broadwell
Louise Brown
Maureen Burke
Elvige Cassard
Ann Churchill
Beth Cloninger
Michelle Coiron
Robbie Colaluca
Ann Collins
Janet Daly
Mary Davidson
Kathy Edwards
Janice Eittreim
Sally Elghammer
Betsy Freidt
Lesa Hall
Lou Hobson
Chris Hoemer
Shawn Holahan
Mary Preston Horn
Katie Hovas
Diane Howard
Ruth Howell
Jennifer Jericho
Caroline Jones
Karen Keil
Dee Dee Kenworth
Liz Kilgore
Shirley Landen
Sheryl Larson
Nancy B. Lawler
Sue Lynch
Beth Maenner
Mimi Malizia
Lisa Mason
Alison Miller
Kathy Miller
Caroline Moore
Muffin Moran
Brenda Myers
De De McFayden
Libby McLean
Anne Oldfather
Kim Perrone
Priscilla Pumphrey
Ccuroline Robertson
Marta Rose
Alice Rush
Pud Sanders
Kathy Shelton
Katie Shirkey
Carolyn Shoulders
Joan Simms
Laurie Smith
Rebel Story
Sue Taylor
Louise Texada
Margaret Texada
Madelain Turegano
Cynthia Turley
Amanda Tuttle
Gladys Van Horn
Abbie Van Nostrand
Clarissa Walker
Sally Warren
Pat Zaiduando
Leigh Zeigler
242
\^..^^^- .-
=~4:'.--
.
:^<*v •? -
1 ^^. "'-^-..
"^ \ * m^ . —*»
11
,, -.s^^- . - f --"->< 1^
Scott Bickford Steve Hacker Chuck Pohl
Tom Breard Dan Hagspette Sciint Provosty
Rick Brown Jeff Ignatuk Geoff Rose
Harry Brownett Dean Jameson Dan Rozyskie
KAPPA Ward Cammack
Steve Corso
Borr Jeter
Gray Johnson
Rob Sapp
George Satkowski
Bill Daley Kurt Lang Tom Smith SIGMA Mike Dalton Chris Lyons Breck Speed
Glenn Darden Pete Mani Ronnie Stewart
Paul Doolittle Jay McGrew Gene Taylor
Dan Draper Larry Nadel Jay Texada
Bob Edwards TabbNeblett NedVoelker
Jim Fox Marc O'Brien Neil Walker
Dan Gerson Scott Paden
243
244
245
246
PI
BETA
PHI
Grace Agresti
Stacy Alver
Sharon Anderson
Bonnie Baine
Daina Bennett
Julie Bethell
Claire Blaine
Susie Boland
Tricia Bowen
Bobbie Boyd
Lindsay Brice
Becky Brock
Susie Brown
Julie Burrill
Leslie Buttram
Mary Cassilly
Catherine Chisolm
Joanie Cleary
Karen Cochran
Dru Crabtree
Li2 Cranston
Debbie Crawford
Suzy Crouere
Debbie Darnell
Andrea Derks
Shelley Devlin
Denise Downing
Mina Eagan
Lindsay Ellis
Marian Enochs
Nancy Fellman
Mary Jane Fenner
Betsy Field
Debbie Frederick
Usa Hall
Linda Hinrichs
Catherine Howell
Cyndy Ittner
Madaline Johnson
Shannon Johnson
Eleanore Kuhn
Kayne Lanahan
CarieLow
Bridget Moloney
Bonnie McClain
Cornelia McDonald
Susan McGrael
Kathy McUyar
Laurie McRoberts
Mciry Anne Meadows
Laura Melacon
Marian Mitchell
Paula Mitchell
Coleen Miller
Caria Oden
Ann Patteson
Zane Probasco
Louise Ragsdale
Sue Richard
Helen Marie Rodgers
Jodee Sanditz
Janise Schrader
Polly Sartor
Mary Schutts
Holly Sharp
Leigh Spearman
Bitsy Stewart
Martha Talbot
Lili Tebo
Susan Tober
Bowman Turlington
Charlotte Waguespack
Owene Weber
Julie Willis
Amelia Zuras
Nancy Kistler
247
SIGMA
ALPHA
EPSILON
Lee Alig
Bill Almond
Joe Amberson
Dee Archer
Johnny Bransford
Ed Breland
Steve Buerger
Rob Burns
Ricky Calhoun
Jeff Carter
Frank Davis
Joe Fitzgibbons
Buck Forcum
Don Gott
Dick Hoffman
Britt Howard
Steven Jacobs
Brian Kolowich
Cary Kerstein
Chuck La Peyer
Tony Laplaca
John Lively
AlLoche
Robert Lupo
John McBrayer
Tom McGrail
Wayne Meinheart
Brad Moore
Bob Moskowitz
Michael O'Conner
Ted Orihel
Jay Pehues
Curtis Pellerin
John Pratt
John Reed
Lloyd Schweyer
Jay Scott
Jimmy Silverstein
Clint Smith
Mike Stoltz
Jack Taylor
Vick Thomas
Robert Tomlinson
John Wallace
Doug Walton
Steve Wilhoit
Clyde Williams
Tom Wyllie
Buck Wynn
John Zimmerman
Philip Bertucci
Mark Boyce
Burgess Chambers
Phillip Lapeyer
Joe Liberate
Tom Jobin
Kevin Ward
248
^ , r
V
249
(
'- •'?^'
SIGMA
CHI
Bill Abemathy
Peter Alfaro
Chris Allen
Jeff Alvis
John Bovaird
Paul Brock
Ed Burr
Warren Chandler
Greg Collins
Don Cosby
Rick Crevoiserat
Kim Davis
Steve Deamlow
Oliver Delery
Todd Eckert
Paul Frederick
Sam Gentles
Stewart Given
Neil Glenn
Anthony Gregorio
Friedrich Gurtler
Michael Gurtler
Harry Gutfreund
Dan Baker
Warren Bourgeois
Wayne Brewster
Jeff Brown
Craig Burkert
Tim Cronin
Charles Travis
Ken Gutzeit
Mark Harmon
William Heausler
Robert Hoy
Scott Johnston
Anthony Kieman
Gordon King
David Knight
Ira Krottinger
Charles Kurzweg
Kevin Lx)ngenecker
Stephen Menzies
John Miner
John O'Donnell
Tim Peglow
Bill Place
Robert Pospick
Mark Schrader
Mark Shina
Pete Terminie
Mark Tipton
Peter Thompson
Pat Toole
Wes Esterbrook
Richard Gibson
Jim Lockard
Bill Rogers
Mark Ruben
Lance Rydberg
Fred Wagner
250
%!l':t^^-tSJ&ii*--
.>*--
SIGMA
DELTA
TAU
Marti Benjamin
Kcuin Elkis
Gail Fenton
Debbie Fladen
Betsy Freund
Linda Friedman
Cindy Galston
Paige Gold
Bobbi Gollin
Carolyn Hirsch
Jamie Jacker
BarbLinz
Carol Miranda
Nancy Meyers
Kathy Newman
Lisa Novick
Ellen Patterson
Barbara Rachlin
Judy Packler
Maty Touff
Susie Wedlan
Joni Weinstock
Linda Yefsky
Nancy Young
Linda Zipperman
Sylvia Bauman
Cindy Beerman
Linda Fantus
Susan Feldman
Deanie Fischman
Fulie Freund
Susan Kellman
Jcin Leone
Robin Gordon
Lynn Lowenstein
Stacey Mayo
Stacey Morris
Stephanie Morris
Paula Nowalsky
Michele Oper
Ruth Rabin
Margaret Rosemore
Laurie Rosen
Roseanne Sacks
Simone Saidman
Nicole Solomon
Laura Saphier
Nancy Schoenberg
Amy Simon
Mindi Singer
Ricki Slacter
Dori Teplitzky
Debbie Weinfeld
Done Zessin
Rachelle Zoller
Nancy Bomstein
Dina Burke
Liz Frankel
Staicy Fogel
Marcia Diamond
Mona Heckman
Jony Hyman
251
PI
KAPPA
ALPHA
Wilson Andrews
Clyde Banner
Ronald Barrios
Charles Barton
Richard Bedford
Kenneth Berlanti
John Bilyi
Patrick Bloomfield
Timothy Bloomfield
John Boudreaux
Ned Bramon
Andrew Broaddus
Paul Bronstein
Rick Brown
Tommy Brown
Robert Buesinger
Max Cannon
Michael Carbo
Michael Chavin
Curtis Cowan
Pete Dalacos
Piet De Groot
Greg Gardiol
Michael Gordon
Jon Guben
David Hartzell
Bryan Hawkins
Michael Heine
Richard Hyams
David Indorf
James Kynsey
Timothy Lathe
Mark Munoz
Randall McKey
Fred Nagel
Thomas O'Neil
Markham Oswald
John Peterson
Mitchell Pivor
Curtis Radford
Mark Scharre
Corey Scher
Alton Schultz
Kurt Schwartz
Robert Scott
William Smith
Paul Soulges
Thomas Stallings
Stephen Turner
Paul Heyden Vender
• 3*
252
*«flM?ftr i^
PHI
MU
Coco Allberg
Amy Amon
Leslie Andelman
Annette Armstrong
Linda Barker
Mary Ann Blalock
Leona Bums
Sylvia Burson
Ann Cathrall
Mary Ann Creekmore
Alice Dacy
Mimi Daniel
Liz Dietrich
Rosemary Dozier
Barb Easley
Judy Ferry
Leslie Gaitens
Christie Gaudet
Margarethe Gay
Janice Garfield
Jil Gebert
Meg Greene
Heather Guttenberg
Mary Guyton
Penny Halter
Adee Heebe
Sara Huebner
Jill Ingram
Heidi Junius
Cyertie Kalnow
Karen Kruebbe
Page McClendon
Karen McLafferty
Yvonne Montes
Susan Moore
Gail Morgan
J. Morrell
Muffy Muella
Shelly Picard
Martha Pierce
Simone Pilie
Pam Poole
Maureen Quinn
Holly Randle
Allison Raynor
Sue Regan
Shirley Richardson
Miriam Richter
Kristin Ridenom
Mary Anne Rodgers
Dee Rourkes
Kyle Rovira
Sara Sandrock
Susan Savage
Janice Simmons
Becky Six
Liz Smith
Marcia Smith
Julie Stephens
Linda Stjernholm
Patty Scallet
Ginger Strate
Nancy Sullivan
Cynthia Taggart
Marcia Teitgen
Lori Trimper
Ann Troitino
Margaret Wade
Kyle Walker
Winnie Waltzer
Cathy Wattley
Laurie Weiss
Ann Welch
Ellie Williams
Liz Willis
BJ. Wyatt
Martha Wyatt
253
s
I
G N
M U
A
Steve Ableman
Len Adoff
Mark Armstrong
Ed Baldwin
Mike Bannett
Chris Bamet
Tom Bamett
Roger Bell
Rob Boubie
Bill Bohn
Jim Bolch
Ken Brown
Tom Brown
Charlie Calderwood
Hampton Davis
Hawkeye Deter
Bayne Dickinson
Marshall Duane
George Durot
Gene Edwards
Skip Eynon
JeffFendler
Richard Feryaomi
Fred Flandry
Greg Florian
Dave Gange
Nelson Gibson
Scott Greiner
Dave Gutterman
Jon Harbuck
Brian Hill
Cameron Hilton
Peter Holt
Gil Hutchinson
Brent Katzmann
Scott Katzmann
Tom Kerins
Mark Kinder
Dan Kohm
Bob Ladd
Al Levin
Herb List
Mike Lopresto
Steve Lux
Joe Maloney
Charlie McCain
Graig McGee
Jim McGowan
Dave McKissock
Richard McPherson
Tim Miotti
Bowden Moorer
John Moser
Stan Mulvihill
Dave Nelson
Kerry Nickerson
Tillman Pearce
Goode Price
John Raber
Steve Reiss
Mike Rhea
Brad Rowberry
Andy Salk
Rocky Scanlon
Pete Scarpelli
Tim Schoeffler
Bill Scholz
Paul Sciortino
Dane Sheldon
Bill Shell
Tom Sherrel
Steve Triozzi
John Turner
Glen Vereen
Lenny Verges
Bob Warren
Jim Wallerstedt
Howard Waugh
Mark Weisburg
Rick Williams
John Youngblood
Scott Greg
Mark Hanudel
254
ZETA
BETA
TAU
Bill Barnard
Larry Bassel
Richard Senator
Larry Bieler
Lance Borochoff
Steve Brodie
Larry Brownridge
Jim Cohen
Stan Cohn
Scott Crystal
James Cummings
Danny Danzinger
Bennett Davis
Marc Dorian
Ronny Draluck
Jerald Enslein
Clayton Epstein
Mark Epstein
Jon Erblich
Stuart Feldman
Rick Femholz
Art Fishman
Ron Fox
Stuart Fridman
Howard Gandler
Jerry Gardner
Matt Geller
John Ginsberg
Rick Goldbatt
Alan Gottleib
Harold Graham
Robert Green
Robert Greenbaum
Lou Gurtwitch
Michael Habif
Jay Harberg
Dan Hodin
Jack Itzkowitz
Doug Jacobs
Jim KruU
Marty Kooperman
Jim Kutten
Brandon Leeds
Eric Leibsohn
Bill Lester
Peter Levy
Howard Lippton
Marc Magids
Harvey May
Jon Miller
John Naschek
Lee Osiason
Paul Orshan
Buddy Palmer
Flip Parker
Mark Prigoff
Bruce Rickoff
Too Rosenthal
James Robinson
Doug Roth
Paul Rubin
Peter Rubnitz
Michael Saag
Neil Schact
Brad Schandler
Ed Shapiro
Richard Scharff
Ed Shenis
Steph Sharlach
Stan Shoss
Mike Siegel
Sam Silverstein
Neil Speer
Bruce Spizer
Jay Tanenbaum
Chuck Tills
Randy Treadway
Jeff Trenton
Neil Wasser
Robert Weber
Bob Wegusen
Jeffrey Zoub
Sergio Bak
Gary Baskin
Gregory Bloom
Richard Bressler
Michael Bronska
Bruce Campbell
Craig Cavalier
Robert Chumey
Edward Cohen
Jeff Cohen
Gary Mark Cohen
Dan Costello
Bruce Eisenberg
Steven EIrod
Neil Faggen
Avrum Gaynor
Art Gilberg
Edward Goldberg
Samuel Goldberg
Bern Goodman
Gary Gordon
Harlan Gottleib
Barry Haft
Steven Helfman
Eric Horwitch
Keith Issacson
Morris Kahn
Marc Kanchuger
David Keyes
Richard Kootman
Joseph Lang
Keith Lamer
Michael Levin
Dennis Levine
Paul Lux
Scott Mexic
William Miranda
Mark Nachbar
Doug Parker
Marc Pearl
James Perlick
Gary Pinsley
Alan Raphael
Andy Robinson
Harvey Robbies
Arnold Rubens
Mark Rubin
Andy Schiffman
Jeffrey Shapiro
Michael Silberstein
Rich Tanker
John Vreeland
Robert Wilensky
Joel Wishnick
255
257
"Classes? Personally, I was never too crazy about either kind of class. In the
classroom class, the professor would always save the important parts until the
last five minutes of the lecture . . . then he would rattle them off faster than anyone
could understand. Sort of a climactic effect, you know. The other kind of class? It
was always hard to tell the difference between a freshman and a senior. Seems
like an instant metamorphosis . . . zap, you're a senior. Maybe its that fear of the
unknown future lurking around . . . makes you a bit more sophisticated. I always
looked forward to being in a 'higher' class. Maybe thafs why universities have
their own class system . . . kind of an incentive to get you to come back the follow-ing
year. Always something to look foiward to . . . rising expectations. Nope, I was
never too crazy about either kind of class.
.258
259
THE
FRESHMAN
ClASS
M,. -,. vJSi *.i*i'41i
Coco Ahiberg
Tori Alford
Sherri Alpert
Miguel Alvarez
Sharon Anderson
Wilson B. Andrews
Omar H. Araim
Keith Astuto
L.C. Austin
Robert Badiloi
Michele Baer
William G. Barry, Jr.
Robert Bartlett
Joseph E. Vavarie
Harlan Beck
B. L Berchielli
SA. Bergeron
Jeffrey L. Berman
J.W. Berney
Philip Bertucci
R. Betancourt
Bradley M. Birns
B.L Bland
R. Blaylock
Gregory A. Bloom
Kenny M. Blum
Ann Blumberg
Walter Bohm
Jim Boich
Gregory A. Booth
L.G. Boquet
Howard Borger
KJ. Borgschulte
J.M. Boutte
Karen Bowman
Sheile Brady
Bunnie Branch
Richard Bressler
John Bretz
Frank Brill
Carl Brondum
HJ. Brothers
Bruce Brown
D.T. Buckingham
Dana Buntrock
Thomas M. Burke
C.L. Burkert
Timothy G. Burns
Louis Caldwell
Lawrence Cabeceiras
C.C. Carmichael
LM. Carron
Olivia Carter
Edward Casal
261
Robert Casanova
George Cenac
Jane Cheeseman
Wah Kou Chin
Joseph L Chow
Robert B. Churney
Christopher Clabaugh
S. Coffing
LA. Cohen
William Commack
Tig Conger
Courtney Cooper
Mary Couturie
Randall J. Dalia
Gabirel Daroca
O.G. De La Luz
Richard Deichmann
A.H. Delery
Dierdre DiGiglia
Marcia Diamond
Barbara Dirr
J.K. Donahue
David Didka
Linda K. Dunn
Steve Einbender
Kathy Elliot
Steven Elrod
D. Epstein
G. M. Esparza
Geoffrey Eustis
RJ. Falotico
Ned Faurox
Susan Feldman
Vivian L Fellom
Jeff Fendler
JA. Ferry
262 Catherine Fondren
Joey L Ford
l^ft. C? i_
G.L Frazier
AM. Freedman
Charles Freeland
Nancy Freeman
Julie V. Freund
Michael C. Fricke
R.E. Fridley
Mindy Friedmann
Gregg Frischhertz
Matt Fry
Fairfax Fullerton
John Furman
MM. Gahagan
Debra Gaitz
Linda Galler
Robert J. Galterio
Thomas Gandy
Edwards Garmor
Thomas Gamier
Horace Gilbert, Jr.
Ed Gill
Amy E. Goggins
J.M. Gold
David Goldhagen
F.D. Goldman
S.B. Goodman
Robin Gordon
Lisa Diane Gradman
Lynn Greenebaum
David Greespon
Mary E. Guyton
Michael J. Haas
Valerie Habif
Joseph Hagmann
GA Hall
Janice Hallet
Thomas W. Hanson
Edwin S. Harbuck
H.Harmuth 263
Ollie M. Harton
R.K. Hawkins
D. Hebert
Edward A. Hirs
Karen Hirschberg
Anne R. Holmes
Eric D. Horwitz
J.E. Horwitz
Jeffrey A. Hurdus
John W. Hurley
Keith Isaacson
M.Y. Issenberg
Elizabeth Jackson
Meredith James
264
David Jee
Dann J. Jung
David Kaskel
Cindy Ann Katz
James Keegan
MP. Kehoe
Robert J. Kelley
Paula Kelly
Emile Keppler
GA. Keyes
Thomas King
Dorienn Klairmont
Claire Knighten
Daniel Kohm
Ricky M. Kootman
Mindy Kort
Eleanor Kuhn
Sheryl Larson
Rebecca A Latta
Bill Lazarus
Alan LcBato
Karen Robinson Lee
Peter Legum
J.D. Lehrer
John Lennox
Jan Leone
PM. Leong
Dennis Levine
Pam G. Lewis
DM. Licciardi
J A. Liggett
Charles Lincoln
Lynn Loewenstein
Cynthia Luckie
Paul Lux
C.R. Macias
Lauri J. Makela
Brad Marks
Benson T. Massey
Jose F. Mauricio
Patricia Mavromates
William Mayfield
Paul A. Mazzuca
Bonnie McCallin
Cornelia McDonald
Patricia L. McVadon
S.B. Mexic
Charles Miller
C. Miller
J.D. Milto
Richard Mire
Lynnette Montero
JA. Montgomery
M.D. Moore
Jeannie Morris
Stacey Morris
R.D. Moyer
Martha A. Mueller
Martha O. Mullins
James Murphy
Richard G. Myers
Mark Nachbar
Crystal Nazzaro
John P. Neglia
Allen Nelson
Paul Noble
Michael O'Day
M. Oesterreicher
Melissa Ogden
Catherine Ohlsson
S.E. Orihel
Robert Palmer
265
Michael Parnon
G.I. Pasternak
CD. Paternostro
Tillman Pearce
MH. Pearl
Marc Pereira
E. Peron
LK. Perrone
Steve Pierce
Nancy E. Potter
Richard Powers
Sam Rafidi
Morey Raiskin
Alan S. Raphael
J. Raybuck
C. Reagin
Jonathon Remer
RJ. Rengel
Tomas Rengifo
Leslie Reskin
Michael Richarme
Lael Richter
J J. Rodriguez
F.R. Rodwig
MJ. Roe
Helen Rogers!
William A. Rogers
Juan L Romero
M. Rosemore
J.G. Rosen
Carla Ross
Arnold E. Rubens
Mark Rubin
Mark D. Ryan
Magnolia Sahba
Andrew E. Salk
Peria M. Saludes
Joseph Sander
BJ. Sandler
266 '^en Sandler
Mark D. Ryan
Nancy Scheinholtz
.^
^''^!P%
267
N.F. Schepps
Eric Schmidt
T. Schoeefler
Marcie Schott
FJ. Schouest
Ira A. Schwartz
AJ. Scislowicz
Anne Segest
H.G. Sharp
William Sheldon
Robert Shepperly
Sarah Shields
Raquel Shpilberg
Morris Silberman
Angle Smith
David R. Smith
BJVI. Snyder
KJ. Sosne
Brian Spencer
LM. Stjernholm
Jodi Stone
JeffTaleghany
Darrell Talley
EN. Throop
Deborah Thurston
Nancy Thurston
Roger Timperlake
Bruce A. Tinker
M.S.Tishler
Juan R. Tomiella
268
Larry Tortorich
Scott Touger
Tracy Trimper
OM.Trujillo
Anne Turlington
Amanda Tuttle
Anne Underwood
B. Von Rosenberg
Leslie Wade
BA Waldman
LD. Waldman
Robert C. Wallace
Louis Washington
Mark Whatley
Mark Wilde
Robert Wilensky
Sarah Willard
Walter L. Willard
Williams
Nerissa Williams
Oran W. Williams
Jeffrey M. Wolf
R. Wong
Craig Wooldridge
BJ.Wyatt
Martha E. Wyatt
269
THE
SOPHOMORE
CLASS
M. Abramson
Patricia Adams
J.F. Adler
Mark Alexander
Laura Allen
Eddie Anderson Jr.
G.V. Anderson
Daniel Aronstein
DA. Aspiazo
Patrice Barattini
MA. Barinbaum
J.B. Barkate
LS. Barker
LJ. Barnes
E.M. Barraza
Sylvia Bauman
HJ. Bauman
Nancy Jo Beck
David Beckman
AM. Bennett
Wendy L Bermant
BJ. Bernard
Cindy Bernstein
Seth Beroz
Laura Berry
Scott R. Bickford
LA. Bistrow
Daniel Bivins
Nancy C. Blodgett
Jeanne S. Bonner
Warren R. Bourgeois
Bobbie A Boyd
Edward Breland
Lindsay M. Brice
Steve Brodie
Howard Bromley
Lee J. Bronck
G.B. Brown
J.D. Brown
TM. Brown
Susan E. Browne
Jim Bruckart
Rebekah S. Bryan
BA Buckingham
Robert Buesinger
Jonathan Buka
Maureen M. Burke
T.R. Burke
Steven Burr
E. Byrne
Doug Caldarera
RJVI.Cambre 271
Keith Cangelosi
Enrique Carballo
Leslie J. Cardin
Rosie Cartaya
Joe Casper
Maiv Cassilly
Sherry Chapman
Jimmy K. Chow
CN. Clarke
F£. Coco
Christy Coggeshall
Lauri Cohen
Lisa Y. Collins
Sharon L Conyer
Shawn Cook
Andy L Corwin
RA Couto
James K. Cox
LN. Cranston
Af. Craven
F. Crescent
Scott Cristal
Thomas Crosby
Robert Dabney
Deidre J. Digel
Denise D. Downing
Charles J. Driebe
Keith Dugas
C.L Duke
M. Earnest II
Robert Edwards
Lisa Eldredge
Karin Elkis
272 Elizabeth Ellaby
Gene Elliot
Lindsay Ellis
Bercher Endres
Debra S. Engel
Jon Erblich
Michael Farley
Jeanne Farmer
J.P. Famen
Jim Fazzino
Bruce M. Fedor
Mary J.S. Fenner
W.L Ferguson
Elizabeth Field
Paul Finger
Deanie Fischman
Brian Fitzjarrell
G.B. Fitzjarrell
N.R. Foster
Debbie Fox
R. Frieberg
Gerald Fretz
Mindy Fridken
Leslie Gaitens
Jerry 1. Gardner
John Garth
Elizabeth Gellatly
Hanna S. Gerone
Norman Getz
Bruce Giaimo
Don W. Gibbs
Robert Gilmore
Lisabeth Glick
Randall L Glidden
Robert Gold
BAGoldberg
Gay M. Gomez
Dianna Gorbach
Sherrie Gordon
Thomas F. Graham
Susan Grant
Allen Graves
'V"-^i
E. Greene
Robert Greenbaum
D.L Grossman
S.R. Guider
Juliet Guillorv
Richard M. Gunst
Gary A. Hahn
Clark T. Hancock
Jonathan Harbuck
Buzzy Heausler
BJ. Hickman
Virginia Holbrook
Joy Holzman
M.L Hoover
Susan A. Horowitz
S.V. Horowitz
V.C. House
Wynne E. Howard
Robert H. Hoy
Tanya M. Huerta
Marsh Jill Ingram
Jules Ivester
KJVI. Jacomine
Q.B. Johnson
Scott G. Johnston
Jewel Jurovich
M.L Kahn
274
Gary D. Kallman
Christy Kane
Glenn Kaplan
Mark A. Kaplan
Paul R. Kenul
Thomas J. Kerins
Karl Kesser
John Kirk
Femin Koch
111 »
Suzan K. Kobey
George E. Kock
CM. Koors
Blake Krass
KA Kruebbe
Wayne D. Kuizner
James A. Kutten
Harolyn S. Landon
Chas M. Lanes
TJ. Uthe
Sheldon Latos
Leslie N. Law
A. Lawrence
G. LeBlanc
Mike Lender
Robert Levenstein
Keith G. Liberman
Penny J. Lichtman
Herb List
G.Long
Carie Low
Sottie Macpherson
Richard Macpherson
William L Maiman
Marie Malizia
Mark Mantese
M. Mariorenzi
Steve S. Mathes 275
D£. Matics
Jeff A-Matson
Gloria Mayi
Page McClendon
Alice McRoberts
Lori Mia Melin
Jerry M. Melone
C.R. Mintz
Robert Mitchell
Charles R. Moir
Hector Molina
Eleanor Montague
Rosa Y. Montes
M£. Moret
Howard P. Morris
KA Morris
Paul Mosco
D.L Moses
J.G. Mosko
KM. Murphy
M. Nachman
P£. Nachman
276
Lawrence B. Nadel
Clifton Mary
Jerry Newcombe
Kathy Newman
James E. Nix
LS. Novick
Dorothy O'Connor
M.V. Oehsen
Charles T.Orthel
Judy A. Packler
Lynn A. Parry
E.L Patterson
J.R. Peterson
Paul Piazza
Shelly Picard
David H. Pickering
Gene Pilcher
Simone M. Piiie
l^\
iMl^^^
277
Charles Pizzo
W£. Place
Robert Pospick
Mark E. Powell
M. Quinn
LH. Rehrer
David D. Reinmuth
James Reuter
Louis J. Reynolds
Bruce D. Rickoff
Mike A. Rinella
Elizabeth Roberts
Kim M. Roesler
Debby A. Rogoff
Lisa Rosenstein
Deidre Rourke
Melissa Ruman
Robin A. Rushton
John Ruskin
Robert Ryan
Ruke Sanna
Alfred Aurage
Pam S. Scanlon
Susan Schimnol
A.B. Schoenberg
J.D. Schuster
Donna A. Schwartz
Gregory R. Scott
LL Seig
R.G. Sellers
H.G. Sender
Cindy Shapiro
Kim Shaw
S.L. Shaw
William W. Shea
278 D.I. Shelton
E.K. Shepard
Jesse Sherrod
''^ »-**M
Randy Silverstein
Samuel Silverstein
P. Simon
wk PH Ricki P. Slacter
A .. I
P.Sloterdlijk
HA. Smallzman
Bf. Smith
James K. Smith
M.C. Smith
Nathan R. Snell
Scott Snyder
Larry J. Sokolic
G.L Spevack
John Stanley
Robert F. Stanley
JA. Stephens
TJ. Stephens
A.D. Stewart
Pamela S. Strider
Jay Tanenbaum
Jack Taylor
Susan Tebeleff
Mary E. Thomas
Joseph C. Tkac
Pat C. Toole
Kathy Townley
Jeffrey Trenton 279
MM. Treuting
MJS. Urioste
Susan VanHees
S. Vasalech
Eric T. Vinokur
F. Von Rosenberg
FJ. Wagner
John C. Walker
Craig M. Ward
Joseph Warren
M. L Watson
Stewart Wechsler
Amy Weil
Lisa Weil
Lois T. Weinfield
Emily Weinstein
G.G. White
AM. Wierman
CM. Wilkins
Elizabeth Williams
George Williams
W.P. Williams
J. E. Wisner
Richard M. Wolkin
Richard C. Wong
Kam Blow D. Yap
LM. Yore
Stan Zent
Lisa L Zingaro
Juan Zuniga
C.I. Zwerdling
G.S. Zwicky
**#*
280
281
THE
JUNIOR
CIASS
282
Bill Abernathy
Frank Adelman
Carlos Alderson
Lillie Alexander
Neil Alig
AJ.Alpar
Paul Andrade
Julian Angel
Alvin Aramburo
Cindy Arata
Bernadette Arroyo
Jaymi Bachman
Beryl Bachus
Donald Bagert
Richard Baker
John Ballman
Clyde Banner
Laura Barber
Oscar Batson
Robert Becker
Jaime Beingolea
Karen Bell
Richard Benator
Leonard Berges
Mark Bermudez
Leonard Bertucci
Charles Bibbins
Karen Bishoff
Ivan Blasini
Bruce Bordlee
Whit Brangle
Steve Bumpus
Nicole Burke
Henry Bush
Neil Bush
Melody Carter
Michael A. Cenac
James Chafey
John Chaubin
Catherine Chisolm
Robert Clark
Glen Clouse
Mary Colledge
Hector Colon
Lauren Cooper
Don Cosby
Ellen S. Coulter
Kevin Cowens
William Crockett
Suzanne Cruere
Sheldon Dam
Kirk Dameron 283
Scott Dash
Randy Davidson
Sara Davison
Robert Dawson
Oliver Delery
Robert Denstedt
Carlos De Salazar
Cartrecia Di Maggio
Marc Dorian
Gordon Dusell
Mina Eagan
Richard Eason
HM. Edward
Karl Ellins
Clifford Enten
Robert Fately
Barbara Faure
Olga Feldman
Paul Feinstein
Gail Fenton
Shauna Fitzjarrell
Joni Fitzpatrick
Lawrence Fleder
A] Foley
Rita Freiden
Linda Friedman
Mitch Frumkin
William Furlong
Rebecca Furr
Armando Garcia
284
Paul Garland
Jorge Garza
James Gaudet
Patrice Gendel
Constantine Georges
Janis Girer
Paige Gold
Martin Goldin
Amy Sue Goldin
Carol Goldstein
Keith Goldstein
Mark Goldstein
Carlos Gonzales
David Graham
Andy Green
Margaret Greene
Dee Dee Greespun
Stephen Grinton
Ronald Gumina
Marco Gutierrez
Kenneth Gutzeit
Stephen Hacker
Greg Han
Frank Hayes
Phyllis Hecht
Connie Heinis
Anne Renee Heninburg
Lorin Henry
Linda Hinrichs
Richard Hoffman
Shawn Holahan
James Hollingsworth
Peter Horowitz
Kevin Hughes
David Indorf
Doug Jacobs
Debra Jarrett
Madeline Johnson
Jack Kaplan
David Katner
Steven Katz
Kare